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  • Roots to Fruits: Nº1 Ghanaian Highlife, 2022 Roots to Fruits: Nº1 Ghanaian Highlife, 2022 Roots to Fruits: Nº1 Ghanaian Highlife, 2022 Roots to Fruits: Nº1 Ghanaian Highlife, 2022 Roots to Fruits: Nº1 Ghanaian Highlife, 2022

    Roots to Fruits: Nº1 Ghanaian Highlife, 2022

    Project by: Mirelle van Tulder

    Designer: Mirelle van Tulder

    Pages: 32

    Format: 135 x 270 mm

    ISBN: 9789491003189

    Year: 2022

    Price: € 15,00

    Roots to Fruits is a magazine about music; its migration and origins, and its role against oppression. The first issue is dedicated to Highlife and its vital role in the struggle for independence and the creation of an African identity during the time of Kwame Nkrumah. It features an article by Dele Adeyemo, and a visual essay by Mirelle with images from the archive of the Tropenmuseum and KIT (Royal Tropical Institute).

     

    Dele Adeyemo’s ‘The Modernizing Beat’ rereads the production of space in a modernizing Ghana through highlife, taking the modernist New Town and Tema Harbour as a case study about how the emergence of the ‘worksong’ has governed urbanization in Ghana.

    Project by: Mirelle van Tulder

    Year: 2022

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  • Delta by Ruben van Klaveren Delta by Ruben van Klaveren Delta by Ruben van Klaveren

    Delta by Ruben van Klaveren

    Project by: DAI

    Designer: Goda Budvytyte

    Format: 170 x 240 mm

    Price: € 9,00

    “The Third Archetype” is a prose narrative explicating the installation “Delta.”
    This publication is part of the Publications Project, a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie.

    Project by: DAI

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  • Collected Words From The Dictionary. Gesammelte–Verzamelde Worter–woorden aus–uit dem–het Worterbuch–woordenboek Collected Words From The Dictionary. Gesammelte–Verzamelde Worter–woorden aus–uit dem–het Worterbuch–woordenboek Collected Words From The Dictionary. Gesammelte–Verzamelde Worter–woorden aus–uit dem–het Worterbuch–woordenboek Collected Words From The Dictionary. Gesammelte–Verzamelde Worter–woorden aus–uit dem–het Worterbuch–woordenboek

    Collected Words From The Dictionary. Gesammelte–Verzamelde Worter–woorden aus–uit dem–het Worterbuch–woordenboek

    Project by: Self initated

    Designer: Marc Hollenstein

    Pages: 116

    Format: 213 x 303 mm

    Year: 2010

    Price: € 15,00

    This publication is a result of Marc Hollenstein’s interest in aspects of translation. Originally from Switzerland, he had to learn a new language when moving to the Netherlands. Even though Dutch is closely related to German, it is still a foreign language for a native German speaker. It could even happen to be more difficult to remember the words, which are the same in both languages, than to learn the new ones. This was the starting point for a collection of common words, that are either written identically or pronounced the same in both languages. With a vocabulary of over 6000 words, the resulting publication also stands as a symbol for the common in the two languages.

    Project by: Self initated

    Year: 2010

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  • Ach Ach en owee (ach en ojee ach en onee ach geef acht doe mee!) Amanda Koelman & Spinvis Ach Ach en owee (ach en ojee ach en onee ach geef acht doe mee!) Amanda Koelman & Spinvis Ach Ach en owee (ach en ojee ach en onee ach geef acht doe mee!) Amanda Koelman & Spinvis

    Ach Ach en owee (ach en ojee ach en onee ach geef acht doe mee!) Amanda Koelman & Spinvis

    Project by: DAI, CasCo

    Designer: Boris Van Den Eynden

    Format: 215 x 335 mm

    Year: 2010

    Price: € 5,00

    Ach Ach en owee ach en ojee ach en onee ach geef acht doe mee! is a publication by Amanda Koelman in collaboration with Spinvis is part of the Publications Project, a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie.

    Amanda Koelman (b. 1985) is an artist whose work emanates from the belief that all humans strive to make sense of the universe around them. As throughout history and geography, people have created fairy tales, fables, fantastic stories, sagas, myths, and religions in order to conceive some sort of understanding of their surroundings. Koelman combines knowledge, ideas and elements from various times and different places in order to provide carnavalesque connections between stories, substances and the collective attribution of meaning. The used imagery and metaphors stem from different parts of the world and are combined by Koelman in a free and loose aesthatic that is nevertheless dense and layered. The work addresses a space beyond the material and rational world; where it enters the realm of hybrid myths and complex magic. The sensual, spontaneous, and emotional aspects of human nature are connected with the notions of birth and death, and everything in between.
    Language: Dutch

    Project by: DAI, CasCo

    Year: 2010

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  • A Supplement. A project by Eva Schippers A Supplement. A project by Eva Schippers A Supplement. A project by Eva Schippers A Supplement. A project by Eva Schippers

    A Supplement. A project by Eva Schippers

    Project by: Dutch Art Institute Enschede / DAI, CasCo

    Designer: Lu Liang

    Format: 170 x 245 mm

    Year: 2010

    Price: € 7,00

    This publication was conceived as a supplement to the forgotten life of Eva Schippers, showing the parts of an artistic practise that are seldom exposed; failures, unfinished ideas, stolen sentences, unwritten stories. These fragments are collected and spread over five posters in chronological order; starting with the most recent finds and then going back in time untill 1997, the year when I started collecting to remember. It consists of approximately 480 images. Images to be remembered, reused and appropriated. With the contribution of the writer Maria Barnas, reflecting upon the affect of collecting and archiving, the Black and Blues is the first supplement. It is a transient attempt to display a complete collection of ideas and a practise that is always in motion, by marking this moment.

    The Publications Project is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie.

    Project by: Dutch Art Institute Enschede / DAI, CasCo

    Year: 2010

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  • A Disposition for a Tale of an Investigation about an Ordinary Man by Julio Pastor A Disposition for a Tale of an Investigation about an Ordinary Man by Julio Pastor A Disposition for a Tale of an Investigation about an Ordinary Man by Julio Pastor A Disposition for a Tale of an Investigation about an Ordinary Man by Julio Pastor

    A Disposition for a Tale of an Investigation about an Ordinary Man by Julio Pastor

    Project by: Dutch Art Institute Enschede / DAI, CasCo

    Designer: Annett Höland

    Pages: 32

    Format: 170 x 240 mm

    ISBN: 9789490294212

    Year: 2010

    Price: € 8,00

    For a short period, the artist Julio Pastor was allowed to occupy apartment 603 in a building in Delft before it was pulled down. During his time there, he set out to collect any traces he could find of the people who had lived in the apartment before by means of watercolour painting, polaroid and digital photographs. At the end of his stay Julio Pastor left behind all of the work he had produced in the apartment. This publication is the only surviving record of Julio Pastor’s investigation. In the process of creating it, the novelist Pierre Leroux re-signified apartment 603’s human traces by turning evidence into fiction. After Leroux, through the design of the publication, a new perspective on the project was discovered. The booklet brings to life reflections on shared notions of translation in the design process by putting the images of the artist back on the wall and rephotographing them.

    Project by: Dutch Art Institute Enschede / DAI, CasCo

    Year: 2010

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  • From the bottom of the chin to the top of the head From the bottom of the chin to the top of the head From the bottom of the chin to the top of the head From the bottom of the chin to the top of the head

    From the bottom of the chin to the top of the head

    Project by: DAI / Dutch Art Institute

    Designer: Manuel Zenner

    Pages: 64

    Format: 147 x 210 mm mm

    Price: € 10,00

    This is a publication with the Artist Patricia Sousa. The booklet is a space of expression of the norm of the passport pictures and regulations. The grid is the norm and the type evolves through the book in order to fill in the space of the spread, as the face should fill in the space of the photography. The 300 copies, like the passports, present a common state, personnalized by the hand glued colored pictures. With Texts by Sophie Nield and Raqs Media Collective.

    DAI PUBLICATIONS is a collection of artist’s books issued by the Dutch Art Institute (DAI) and designed in collaboration with the Werkplaats Typografie (WT). The 2011 edition consists of 16 publications. In close collaboration with one or more guest authors, artists team up with designers to produce an artwork in the form of printed matter. From very diverse perspectives they reflect on publishing as a versatile medium.

    Project by: DAI / Dutch Art Institute

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  • Biscotti di Vento Biscotti di Vento Biscotti di Vento Biscotti di Vento Biscotti di Vento

    Biscotti di Vento

    Project by: Dutch Art Institute

    Designer: Laure Giletti

    Pages: 84

    Format: 120 x 170 mm mm

    Price: € 10,00

    Biscotti di Vento is a research project by artist Vittoria Soddu in collaboration with authors Manlio Brigalia, Bianca Pitzorno and Celestino Tabasso. Their contributions to Biscotti di Vento have been inspired by conversations filmed by Soddu in 2010 with Antonella Baralla and Salvatorica Manca around the origins and secrets of a contended biscuit.
    DAI PUBLICATIONS is a collection of artist’s books issued by the Dutch Art Institute (DAI) and designed in collaboration with the Werkplaats Typografie (WT). The 2011 edition consists of 16 publications. In close collaboration with one or more guest authors, artists team up with designers to produce an artwork in the form of printed matter. From very diverse perspectives they reflect on publishing as a versatile medium.

    Project by: Dutch Art Institute

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  • Air Inside the Bones Air Inside the Bones

    Air Inside the Bones

    Project by: DAI / Dutch Art Institute , Gonçalo Sena, Robert Macfarlane, Pedro A.H. Paixao

    Designer: Stefano Faoro

    Pages: 30

    Format: 240 x 340 mm mm

    Price: € 10,00

    First published in 1856, John Ruskin’s “Modern Painters vol.IV: Of Mountain Beauty” reflects on the geology of the Alps i terms of landscape observation and its moral and spiritual influences on those living nearby. The “mountainous mask” list derives from the original Index of that book.

    Note on Pedro A.H. Paixao’s text: The text presented here is the development of a selection of notes written, at first, on the margins of the red drawings series, and after – conserving its informal shape, without reference notes -, as a reflection on affinities to Goncalo Senas use of drawing in his projects. The double ‘||’ within the text means not so much a paragraph division, but a lapse in time, allowing the text to remain as a condensed block, and to exhibit its journal nature, here exempted of places and dates.

    Project by: DAI / Dutch Art Institute , Gonçalo Sena, Robert Macfarlane, Pedro A.H. Paixao

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  • A lamb named Beauty A lamb named Beauty

    A lamb named Beauty

    Project by: KASK Gent

    Designer: Ine Meganck

    Pages: 52

    Format: 173 x 250 mm mm

    Price: € 15,00

    A Lamb Named Beauty shows the life of two twin sisters Kimberly and Gwendolyn. The series started in 2007, when the sisters were 10 years old. An- Sofie Kesteleyn tried to give a candid impression about how the twins take care of each other, and the many animals that are gathered around them. The twins seem to live in a domain all of their own, taking strength from their love from one another.

    Project by: KASK Gent

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  • Journey Through My Room. A Story by J.M.A. Biesheuvel, a translation / actualisation by Jort van der Laan Journey Through My Room. A Story by J.M.A. Biesheuvel, a translation / actualisation by Jort van der Laan Journey Through My Room. A Story by J.M.A. Biesheuvel, a translation / actualisation by Jort van der Laan

    Journey Through My Room. A Story by J.M.A. Biesheuvel, a translation / actualisation by Jort van der Laan

    Project by: DAI / Dutch Art Institute

    Designer: Ine Meganck & Mark Simmonds

    Pages: 81

    Format: 125 x 200 mm mm

    Price: € 10,00

    A book about writing, storytelling, translation and interpretation. Artist Jort van der Laan translated ‘A Journey Through My Room’, a story by Dutch writer J.M.A Biesheuvel from Dutch to English (prior to this book’s publication in June 2011 the story was not available to read in English). Yet this translation is incomplete. The missing lines and paragraphs of the story are made visible throughout the book as blank spaces. The format of the book and design of the interior was copied from a 1972 collection of Biesheuvel’s stories owned by the artist which includes ‘Reis Door Mijn Kamer’ or ‘A Journey Through My Room’.

    Project by: DAI / Dutch Art Institute

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  • Mary Shelly Facsimile Library Mary Shelly Facsimile Library Mary Shelly Facsimile Library Mary Shelly Facsimile Library Mary Shelly Facsimile Library Mary Shelly Facsimile Library

    Mary Shelly Facsimile Library

    Designer: Ine Meganck, Corina Neuenschwander, Manuel Zenner, Noah Venezia

    Pages: 136

    Format: 128 x 190 mm mm

    Price: € 5,00

    Werkplaats Typografie’s Mary Shelley Facsimile Library is a collection of facsimile-format thesis bibliographies intended as an accumulating reference library for future participants. The library was relocated from Arnhem to New York from the 30th September to the 2nd October 2011. This publication is a companion to the library, within these pages are texts, spells and reading lists gathered by current participants regarding their research.

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  • Everybody’s Card Everybody’s Card Everybody’s Card Everybody’s Card

    Everybody’s Card

    Designer: Xavier Fernández Fuentes & Martine Derks

    Pages: 60

    Format: 195 x 305 mm

    Price: € 22,00

    Avoiding the use of personal imagery, intimate photographs become generic due to small interventions; collage, modified poker cards and excerpts from magicians’ handbooks are combined to create a narrative that compares a deck of cards with any collection of photographs found in a traditional photo album. Starting from a series of nearly identical elements, it’s only the way we play them that provides a different result for each game.

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  • The White Elephant by Lauren Alexander The White Elephant by Lauren Alexander The White Elephant by Lauren Alexander The White Elephant by Lauren Alexander The White Elephant by Lauren Alexander

    The White Elephant by Lauren Alexander

    Project by: DAI / Dutch Art Institute

    Designer: Ghalia Elsrakbi, Foundland

    Pages: 84

    Format: 165 x 230 mm

    Price: € 12,00

    A publication with texts by Lauren Alexander, Clare Butcher and extracts from David Blom (Oom Bolo) and Charles Nkosi. This publication forms part of the Cardboard Monument project, carried out in Soweto, Johannesburg from January – March 2011. It reflects on the significance and impact of community driven activist public art, using the Cardboard Monument project as a case study.
    Published by the Dutch Art Institute & Mediafonds, this book intends to document, but also to create a platform for reflection following the Cardboard Monument project, and its influence on the Kliptown area, in Soweto Johannesburg. Cover Illustrations: Victor Mofokeng, Funda Community College.

    Project by: DAI / Dutch Art Institute

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  • Vacanze da Trame, A book for a vacation Vacanze da Trame, A book for a vacation Vacanze da Trame, A book for a vacation Vacanze da Trame, A book for a vacation

    Vacanze da Trame, A book for a vacation

    Project by: Werkplaats Typografie

    Designer: Erica Preli

    Pages: 56

    Format: 150 x 210 mm

    Price: € 5,00

    This publication is part of the magazine series ‘16’ and published on the occasion of the exhibition Vacanze da Trame, on show at the Bookshop Trame in Bologna, Italy. With contributions by Werkplaats Typografie participants.

    Project by: Werkplaats Typografie

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  • The Fourth Wall The Fourth Wall The Fourth Wall The Fourth Wall The Fourth Wall

    The Fourth Wall

    Project by: Max Pinckers

    Designer: Christof Nüssli

    Pages: 196

    Format: 195 x 273 mm mm

    Price: € 35,00

    Photobook. In The Fourth Wall Max Pinckers examines the relationship between fiction and reality in India. Newspaper articles, staged and candid photos come together in a world in which reality and cinema take over each other’s role.

    Project by: Max Pinckers

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  • Proposal for a (book)shelf Proposal for a (book)shelf Proposal for a (book)shelf Proposal for a (book)shelf Proposal for a (book)shelf Proposal for a (book)shelf Proposal for a (book)shelf

    Proposal for a (book)shelf

    Project by: self initiated

    Designer: Corina Neuenschwander

    Pages: 142

    Format: 210 x 297 mm mm

    Price: € 10,00

    Initiated by Corina Neuenschwander, Proposal for a (Book)shelf is a project space for participants of the Werkplaats Typografie for presenting work. The Shelves, a small niche, are located inside the meeting room of the school. Similar to many places in WT building, this space is a platform for sharing research and producing work with an emphasis on peer critique. The catalogue is available as print on demand on lulu.com. In colour as well as b/w.

    Project by: self initiated

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  • A publication in the name of P A publication in the name of P A publication in the name of P A publication in the name of P A publication in the name of P A publication in the name of P

    A publication in the name of P

    Project by: Dutch Art Institute

    Designer: Ilke Gers

    Pages: 96

    Format: 85 x 135 mm

    Price: € 8,00

    Mystery story following the disappearance of character called P. by Sander Uitdehaag.

    DAI Publications is a collection of artist’s books issued by the Dutch Art Institute (DAI) and designed in collaboration with the Werkplaats Typografie (WT). The 2012 edition consists of 13 publications developed in the context of ‘Publishing Class’ a two year course designed by Casco – Office for Art, Design and Theory, delving into the act of publishing as a critical art practice, both as a way to make things public – forming publicness – and as a from of dissemination beyond time and space constraints.

    Project by: Dutch Art Institute

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  • Most of the time Not at all always Most of the time Not at all always Most of the time Not at all always Most of the time Not at all always

    Most of the time Not at all always

    Project by: Dutch Art Institute

    Designer: Mathew Whittington

    Pages: 56

    Format: 120 x 280 mm mm

    Price: € 10,00

    A series of dialogues between the artist and three individuals: a computer game player, an astronaut, and a funeral speech writer, each documented during a recorded conversation and presented in the form of an interview, theater script, and poem. The dialogues examine how each character’s concept of self is formed by their occupation or activities as tied to sensations of presence and absence of the physical body. The symbol of a funnel is used throughout the text.

    Project by: Dutch Art Institute

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  • Mind Games Mind Games Mind Games Mind Games

    Mind Games

    Designer: Noah Venezia

    Pages: 160

    Format: 117 x 171 mm mm

    Price: € 15,00

    A quadrangled story about shades and variations in co-dependence and sovereignty, inspired by a musician (John Lennon), a theorist (Henry Lefebre), an author (Halldor Laxness) and a demnted ruler of Rome (Caligula). Mindgames is constituted by four parts – ordered in alternating sequence – to form thirteen chapters in total. Each of the four sections holds a biographical account of its subject: Caligula, Henri Lefebvre, John Lennon and Halldór Laxness. The chapters can be read separately, as they have been conceived to be independent wholes, forming biographies that present portraits of associations rather than particular statements about individual lives. The text, however, is constructed to alternate rhythmically between the main motives. The motives in turn produce variations on particular themes as they modulate into different parts within the totality of the work as a whole. Mindgames was conceived as a way to enjoy information in the tradition of autodidacts of the past – but in a style which is commingled with a reverence towards traditional modes of archiving the world. The author will give a talk about the ideas behind the work and selected chapters will be read.

    Geirþrúður Finnbogadóttir Hjörvar was born in 1977. She received her MFA from the Malmö Art Academy in 2005 and her BFA from the Iceland Academy of the Arts in 2002. She attended the Rijksakadamie residency program in 2007-2008 in Amsterdam. She works with sculpture, text, performance, painting and installations.

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  • Jesus, make-up and football Jesus, make-up and football Jesus, make-up and football Jesus, make-up and football Jesus, make-up and football

    Jesus, make-up and football

    Project by: Lannoo

    Designer: Mélissa Pilon

    Pages: 308

    Format: 280 x 210 mm mm

    Price: € 30,00

    Jesus, Make up and Football by Belgian photographer Frederik Buyckx is all about the favelas, or slums, of Rio de Janeiro in Brazil. His photographs provide a haunting glimpse into the lives of the favela residents and what matters to the most: Jesus, make up and football.
    Buyckx rented a pied-à-terre for a few months in a favela and shared the inhabitants’ daily vicissitudes. A fifth of Rio’s six million inhabitants live in favelas: self-built, improvised populous neighbourhoods in which life can be rough. With the World Cup coming to Rio in 2014 and the Olympics in 2016, the city is determined to show itself to its best advantage. The government is using the opportunity to clean up the slums and flush out the drug gangs.
    The book is published by Lannoo (Belgium) and won several awards, including a World Press Photo Award in 2013. In 2017 Frederik was named ‘Photographer of the Year’ at the Sony World Photography Awards. His work has been published in National Geographic Magazine (NL), The New York Times Newspaper/Style Magazine (USA), The Sunday Times Magazine(UK), CNN Photo Blog (USA) and De Standaard (BE) among others.

    Project by: Lannoo

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  • It was big enough to get me completely inside It was big enough to get me completely inside

    It was big enough to get me completely inside

    Project by: Dutch Art Institute

    Designer: Hans Gremmen

    Pages: 250

    Format: 153 x 213 mm mm

    Price: € 15,00

    This work is a sound piece pressed onto 10” vinyl with an accompanying booklet. It is a construction of interwoven interview fragments in which three people recount transcending their ordinary perception of reality. Each of their accounts are laced with wavering perceptions, volatile realities, doubt, and an underlying quest for “truth.” The assemblage relates a fantastical and disturbing tale of esoteric and shamanic rituals, of training schools and occupation, of psychological and bodily accounts, treading a tenuous line between desire and turmoil. It poses the zealous nature of group and individual desire, and its potential to dominate and compel. While the transcription of the sound piece, printed in the booklet, reads as a stream of consciousness —it’s riddled with stutters and the three voices are indistinguishable from one another, there’s no punctuation and sentences potentially start, end or lapse at multiple points—the construction of the work is laid bare when the sound piece is listened to.
    Total duration 30 mins.

    Project by: Dutch Art Institute

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  • Fashion Design Hotel Modez Arnhem Fashion Design Hotel Modez Arnhem Fashion Design Hotel Modez Arnhem Fashion Design Hotel Modez Arnhem

    Fashion Design Hotel Modez Arnhem

    Project by: Dominique Binkhorst, Modez, Piet Paris, Volkshuisvesting Arnhem

    Designer: Noah Venezia

    Pages: 112

    Format: 170 x 240 mm mm

    Price: € 17,50

    This book offers a glimpse into all of the rooms and reception areas in the Modez Hotel of fashion and design in Arnhem. By means of words and pictures it explores the ideas behind the creation of each room as well as the design process and the designing of Piet Paris’ s Gesamtkunstwerk as a whole.

    Project by: Dominique Binkhorst, Modez, Piet Paris, Volkshuisvesting Arnhem

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  • Ever Tell Twice

    Ever Tell Twice

    Project by: Dutch Art Institute

    Designer: Bosco Hernández

    Pages: 70

    Format: 240 x 340 mm mm

    Price: € 10,00

    Rui’s short story is about two speechless characters caught in the curse of love. The uncertain moment, in which they are trapped, will be followed up, questioned and answered by the collaborators. Each contribution is a reaction to Rui’s short story and approaches diverse aspects concerning love and restraint. Performative and cinematic, literary and philosophical as well as phenomenological analyses come into play. Using strategies of collaboration in an artistic context, the book turns into a multifaceted investigation. Vivien Trommer.

    Artist books – The Dutch Art Institute is one of the master programmes of the ArtEZ institute of the Arts. The DAI is a practice based research institute but grants theory, knowledge production and reflection an important, shared position within the curriculum. Students at DAI participate in the discourses on the future of art in the context of a globalizing world. Because of the international student body DAI does not work with compelling formats, but instead folds thematic seminars and conferences and lectures in a flexible way around running projects. Since 2004 WT and DAI cooperate in editing, designing and producing the yearly graduation booklets for DAI.

    Project by: Dutch Art Institute

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  • Can Architecture affect your health? Can Architecture affect your health? Can Architecture affect your health? Can Architecture affect your health?

    Can Architecture affect your health?

    Project by: ArtEZ Press, Sikkens Foundation

    Designer: Stefano Faoro

    Pages: 64

    Format: 110 x 180 mm

    Price: € 15,00

    This publication of the Mondrian Lecture of Charles Jencks is the first in a series of publications by the Sikkens Foundation

    This pocket-sized publication of the Mondrian Lecture given by Charles Jencks reprints his talk in full, along with various images. Jencks discusses the possibility that architecture and well-being can have a direct correlation, exploring how architecture can influence society, business productivity, profits and hospitals. He elaborates with examples of architectural determinism from both ancient and modern history, with a special focus on his experience with the Maggie’s Centres – cancer care centres set up throughout Britain by Jencks and designed by famous architects – whose purpose is to experiment with these ideas.

    Project by: ArtEZ Press, Sikkens Foundation

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  • Another room Another room Another room

    Another room

    Designer: Eva Olthof, Stefano Faoro

    Pages: 14

    Format: 195 x 270 mm mm

    Price: € 5,00

    In December 2011 Stefano and Eva worked together on an exhibition in a small artist-run space in Nijmegen, the Netherlands. The exhibition was called At the end of the world I exist and consisted of two diverse installations. The work on display was mirroring an ongoing discourse about traveling, distance and the transportive potentialities of the image starting from each our interests – respectively photography and architecture. Six months later, they organized an event at Schloss Ringenberg, Germany. During the night the work took the form of two presentations and a book, in order to broaden the performative side of the installation presented before and to transport the previous space into the new room, the Rittersaal. The presentations and the book touch, amongst other things, upon a postcard from Tenerife and the portrait of Emily Dickinson, respectively the features of the two specific exhibition spaces and the furniture that inhabits them. Artist and writer Miek Zwamborn was invited to write a contribution to the book as a third link. The sentence At the end of the world I exist was used as a point of departure point for a short story titled Legacies of the moon.

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  • To the North, South, East and West, nothing. The curtain falls. End of Act One, Lara Boticário Morais To the North, South, East and West, nothing. The curtain falls. End of Act One, Lara Boticário Morais To the North, South, East and West, nothing. The curtain falls. End of Act One, Lara Boticário Morais To the North, South, East and West, nothing. The curtain falls. End of Act One, Lara Boticário Morais To the North, South, East and West, nothing. The curtain falls. End of Act One, Lara Boticário Morais

    To the North, South, East and West, nothing. The curtain falls. End of Act One, Lara Boticário Morais

    Project by: DAI / Dutch Art Institute

    Designer: Erica Preli

    Pages: 64

    Format: 120 x 170 mm mm

    Price: € 10,00

    Several stories around an inn with a historical background connected to the Portuguese regime. The history of the space has this paradox of being a manifesto against architecture of its time and at the same time it becomes a symbol of the regime. Departing from a very concrete prove (the building) and a very subjective experience (ones relation with the space) a fiction was created around a history that the writer did not experience.

    Project by: DAI / Dutch Art Institute

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  • WT Speelplaats: Cosmic Mental Therapy (in the Realm of the Necessary Decision) WT Speelplaats: Cosmic Mental Therapy (in the Realm of the Necessary Decision) WT Speelplaats: Cosmic Mental Therapy (in the Realm of the Necessary Decision) WT Speelplaats: Cosmic Mental Therapy (in the Realm of the Necessary Decision)

    WT Speelplaats: Cosmic Mental Therapy (in the Realm of the Necessary Decision)

    Project by: Werkplaats Typografie

    Designer: Noah Venezia

    Pages: 256

    Format: 110 x 170 mm mm

    Price: € 13,00

    There was an empty room in the back of the Werkplaats Typografie. One day, that void has been pushed out of the two doors. In 2012 eighteen people had to find that space somewhere else. During six separate excursions, throughout Arnhem and the Netherlands, they explored the potentialities of the destruction and construction of new lands. They searched for the room that they had lost, or for the conditions and materials with which to rebuild it, and in doing so began to expand the walls of the school along a whole new set of trajectories and possibilities. Cosmic Mental Therapy is a guide for escape from sovereignty and a manual for creating new trajectories.
    It consists of a collection of texts that were gathered through Year 12 and Year 13 WT participants. Contributions from Stefano Faoro, Ine Meganck, Corina Neuenschwander, Mark Simmonds, Rutger de Vries, Noah Venezia and Manuel Zenner.

    Project by: Werkplaats Typografie

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  • ‘Metal, but at the same time…it’s a chrystal’ ‘Metal, but at the same time…it’s a chrystal’ ‘Metal, but at the same time…it’s a chrystal’ ‘Metal, but at the same time…it’s a chrystal’ ‘Metal, but at the same time…it’s a chrystal’

    ‘Metal, but at the same time…it’s a chrystal’

    Project by: Dutch Art Institute

    Designer: Niko Mihaljević

    Pages: 88

    Format: 148 x 210 mm

    Price: € 10,00

    This book is a photo book of an archive, or attempt to make an annex of Library of Light, archive which gives identity to Cosmic People (www.universal-people.com). With a focus particularly on this artificial archive, as a construction of fictions whose task is to produce a collection of effects of the real, idea of this book is to explore archives not as merely passive repositories, but rather as powerful tools that can be used to shape society, politics, and culture.

    Project by: Dutch Art Institute

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  • WT Best Books 2012: …….asked…….about the…….book from……. WT Best Books 2012: …….asked…….about the…….book from……. WT Best Books 2012: …….asked…….about the…….book from…….

    WT Best Books 2012: …….asked…….about the…….book from…….

    Project by: Werkplaats Typografie

    Designer: participants of Werkplaats Typografie, Editorial, contents list and appendix designed by Bosco Hernández

    Pages: 102

    Format: 210 x 297 mm mm

    Price: € 15,00

    Each year Werkplaats Typografie organises its “Best Books” selection: every participant chooses a book according to specific criteria. The criteria for the 2012 selection derived from a discussion with Kobe Matthys from Agency, Belgium. The resulting publication collects conversations and meetings with and around books with Kees Beentjes, Katherina Bornefeld, Tamara Henderson, Harmen de Hoop, Oliver Ibsen, Colter Jacobsen, The Librarian at Arnhem’s Public Library, Henk Pel, Seth Siegelaub, Matthew Stadler, Joëlle Tuerlinckx, and Ashleigh Young.

    Project by: Werkplaats Typografie

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  • Unusual Persecution Unusual Persecution Unusual Persecution

    Unusual Persecution

    Project by: self initiated

    Designer: Iván Martínez López

    Pages: 44

    Format: 210 x 297 mm mm

    Price: € 9,00

    Schematized representation of a game of a very obvious animal behavior that has been simplified in order to be functional and playable.

    This work is a study of movement through the formal analysis of 2 board games that allegorically recreates a chase between a predator and a prey in a schematized way.

    Project by: self initiated

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  • Three Movements Three Movements Three Movements Three Movements

    Three Movements

    Project by: Dutch Art Institute / DAI, CasCo

    Designer: Laura Pappa

    Pages: 72

    Format: 235 x 170 mm mm

    Price: € 7,00

    Marianna La Rosa Maruyama works through notions of resistance, weariness, and return. If anything could be assumed or imagined to have challenged the question of how to live together, it is that which occurs in the space of catastrophe, in this case, the earthquake and subsequent nuclear disaster in Fukushima, Japan.

    Publishing Class III HOW TO LIVE TOGETHER series published in collaboration with DAI, WERKPLAATS TYPOGRAFIE, and CASCO Office for Art, Design and Theory (Utrecht). With contributions by David Maroto, Hanan Benammar, Larraitz Torrez, Maja Hodoscek, Marianna Maruyama, Padraig Robinson, Daniel Frota, and Christian Nyampeta, and also with Janine Armin, Binna Choi, Benjamin Thorel, and Yolande van der Heide as editorial team.

    high end bananaicevape from replicamaker.discount high quality https://www.vapesstores.ru/ вейп купить uk with low price.swiss u boat watch fake was probably well respected by all the fields.easy to use is a major feature of best swiss article source.who sells the best brby.ru cheap burberry holds on its desire for premium quality standards.typically the geneva bench mark was in fact trained as a result of visit this website for sale.

    Project by: Dutch Art Institute / DAI, CasCo

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  • The Shelves The Shelves The Shelves The Shelves The Shelves

    The Shelves

    Designer: Rutger de Vries

    Format: 210 x 194 mm mm

    Price: € 12,00

    The Shelves (formerly Proposal for a (Book)shelf) is a project space for participants of the Werkplaats Typografie for presenting work. The Shelves, a small niche, are located inside the meeting room of the school. Similar to many places in the WT building, this space is a platform for sharing research and producing work with an emphasis on peer critique.

    This publication is an overview of The Shelves projects in 2012 – 2013.

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  • OPEN DAG / OPEN DAY OPEN DAG / OPEN DAY OPEN DAG / OPEN DAY OPEN DAG / OPEN DAY

    OPEN DAG / OPEN DAY

    Project by: Werkplaats Typografie

    Designer: Bardhi Haliti

    Pages: 344

    Format: 189 x 242 mm mm

    Price: € 15,00

    A book documenting the indoor walls of the Werkplaats Typografie.
    Photos taken on 13 and 15 November, 2012.

    Project by: Werkplaats Typografie

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  • http//www.guardian.co.uk/world/2013/feb/18/israeli-soldier-posts-instagram-palestinian http//www.guardian.co.uk/world/2013/feb/18/israeli-soldier-posts-instagram-palestinian http//www.guardian.co.uk/world/2013/feb/18/israeli-soldier-posts-instagram-palestinian http//www.guardian.co.uk/world/2013/feb/18/israeli-soldier-posts-instagram-palestinian

    http//www.guardian.co.uk/world/2013/feb/18/israeli-soldier-posts-instagram-palestinian

    Project by: Dutch Art Institute / DAI

    Designer: Daniel Frota

    Pages: 48

    Format: 170 x 235 mm mm

    Price: € 12,00

    This publication by Padraig Robinson and Daniel Frota was made in context of Publishing Class III: How to Live together, DAI. This publication was devised in the model of a conversation in collaboration with designer Daniel Frota, where the act of writing was used to explore the “idiorrhythmic” nature of the discourse around images.The starting point was an image published on The Guardian’s website on Monday 18th February 2013, which is an Instagram image said to be depicting a Palestinian boy in the cross hairs of an Israeli sniper’s rifle zoom. The distinct texts between artist and designer perhaps suggested that the nature of such pictures in general, even those that could be considered “political” at a given moment, have a very unusual condition within the online, digital circulation of social networking. The writing created a problematic regarding the agency of vision, based on an “ethical reaction” for an other we will never meet via image media. This is discussed, and indeed averted, through two individual perspectives — or a fragment of writing about vision.

    Project by: Dutch Art Institute / DAI

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  • Class Breaks, Maja Hodoscek Class Breaks, Maja Hodoscek Class Breaks, Maja Hodoscek

    Class Breaks, Maja Hodoscek

    Project by: Dutch Art Institute / DAI

    Designer: Bardhi Haliti

    Pages: 103

    Format: 120 x 170 mm mm

    Price: € 10,00

    Class Breaks was made in close collaboration with the artist Maja Hodoscek’s sister Zala who at the time of the book’s development was just finishing elementary school. For several months Zala secretly filmed activities at her school during class breaks. She was especially interested in shooting her closest classmates, Nik and Urh, and engaging in a series of discussions throughout the school. The book consists of fragments from these conversations. As the students touch upon political issues, their own position within institutional structures, and their relationships, Class Breaks provides stimulating insight into the social dynamics of the school environment.

    How to Live Together series, the third edition of Publishing Class, focuses on writing and publishing as a speculative tool and as a conduit through which communities are fostered. Over the course of a year the class sets out to ‘publish’ individually and / or collectively, with the aid of monthly guests. It is inspired by Roland Barthes’ seminal 1977 lecture series that bears the same title. In that series Barthes developed the concept of ‘idiorrythmy’ to express a possible way of living together that preserved individual rhythms. Special guests to the class include: Hong-Kai Wang, Tea Hvala, Christian Nyampeta, Ayreen Anastas & Rene Gabri (16 Beaver), Pieter Verbeke & Elisabeth Klement (San Serriffe), Benjamin Thorel (castillo/corrales)

    Project by: Dutch Art Institute / DAI

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  • Art at Large. Through Performance and Installation Art Art at Large. Through Performance and Installation Art Art at Large. Through Performance and Installation Art Art at Large. Through Performance and Installation Art

    Art at Large. Through Performance and Installation Art

    Project by: ArtEZ Press

    Designer: Ilke Gers

    Pages: 304

    Format: 160 x 230 mm mm

    Price: € 31,00

    Art at Large is a compilation of essays by art historian Marga van Mechelen. It explores the characteristics of Performance and Installation art, emerging forms of art in the early seventies which defied the notions and boundaries of medium-based approaches to contemporary art. In the essays special attention is paid to the intertwinement of different fields and to the mixing of disciplines. In this sense Performance art and Installation art today can be seen as perfect representatives of current developments in Postmodern art and the confirmation of the idea of an art at large.
    Handwritten by Ilke Gers

    Project by: ArtEZ Press

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  • They Have Thrown the Scouts in the Sea 1947-2013 They Have Thrown the Scouts in the Sea 1947-2013

    They Have Thrown the Scouts in the Sea 1947-2013

    Project by: DAI, Dutch Art Institute

    Designer: Melissa Pilon

    Pages: 32

    Format: 194 x 266 mm mm

    Price: € 12,00

    Publication made in collaboration with Aziza Harmel based on images related to her grand-parents in Tunisia between 1947 and the present day, both involved in the liberation of Tunisia. From these appropriated archives, a fictional story was created.

    Project by: DAI, Dutch Art Institute

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  • Double Bound Economies / Doppelte Oekonomien, Reading an East German Photo Archive, 1967-1990 Double Bound Economies / Doppelte Oekonomien, Reading an East German Photo Archive, 1967-1990 Double Bound Economies / Doppelte Oekonomien, Reading an East German Photo Archive, 1967-1990

    Double Bound Economies / Doppelte Oekonomien, Reading an East German Photo Archive, 1967-1990

    Project by: Estelle Blaschke, Armin Linke, Doreen Mende

    Designer: Laure Giletti

    Pages: 447

    Format: 295 x 419 mm mm

    Price: € 36,00

    Between 1967 and 1990, freelance photographer Reinhard Mende was commissioned by various GDR combines to document factories and the presentation of their manufactured products at the International Trade Fair in Leipzig. He portrayed women at their workbenches, he took shots of lamps, vacuum cleaners and kitchen appliances. The approximately 250,000 pictures in his archive – both in black and white and colour – offer a rare look at the factories and the people who produced all these commodities. Although the perspective was directed by official ideals, Mende followed his own view. Double Bound Economies explores how we might approach this unique body of images today: how we can access them, how we can derive historical insights from them, and for what considerations they might represent a starting point. Along with a number of essays the book includes artistic contributions by Armin Linke, Olaf Nicolai and KP Brehmer.
    Languages: English / German

    Project by: Estelle Blaschke, Armin Linke, Doreen Mende

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  • The Fantasy The Fantasy The Fantasy The Fantasy

    The Fantasy

    Project by: DAI / Dutch Art Institute

    Designer: Lotte Schröder

    Pages: 50

    Format: 120 x 340 mm mm

    Price: € 8,00

    The Fantasy is the culmination of a period of research into tensions within the dilapidated Dutch city of Almere, and its failure to realize an architectural plan to become a utopian haven. The book takes the form of both travelogue and timeless voyage. Three characters, based on the city’s actual residents, share accounts of a fictional trip that traces a route based on small irregularities, curiosities and almost invisible details that were uncovered while wandering through the city. The Fantasy is a work of fiction, which, in merging social, political, and urban investigation with street observation, emphasizes how daily urban situations and invisible street practitioners define geopolitical conditions. This book belongs to the Publishing Class Collection How to Live Together Series published by CasCo Art Institute, Utrecht.

    Project by: DAI / Dutch Art Institute

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  • The South Highway. How to Read / How to Play The South Highway. How to Read / How to Play

    The South Highway. How to Read / How to Play

    Project by: Dutch Art Institute

    Designer: Christine Pogatchnik

    Pages: 76

    Format: 170 x 110 mm

    Price: € 9,00

    The South Highway is a gamebook. Part story, part game, this is a book with a difference –one in which you become the protagonist. The narrative changes according to your decisions on which path to follow, the actions to carry out, and the answers to give to other characters. It is you who interacts with the others inside the book, and thus are responsible for the protagonist’s vicissitudes. You will need all your wits about you to go through the unexpected that lies ahead. Apparently trivial situations can lead some time later to a serious outcome in which your own life can be at stake. Thus, choose your actions carefully!

    Project by: Dutch Art Institute

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  • The finding & raising of anchors of barges and steamers The finding & raising of anchors of barges and steamers

    The finding & raising of anchors of barges and steamers

    Project by: Dutch Art Institute

    Designer: Mathew Whittington

    Pages: 76

    Format: 120 x 170 mm

    Price: € 7,00

    The Finding & Raising of Anchors of Barges and Steamers plays with forms of content structuring and editing, based on research into knowledge management systems and Wikis. The book is made up of documentation of Quenton Miller’s artworks presented next to manipulated republished texts interspersed with annotations and footnotes. The design of the project involved implementing an updated idea of medieval rubrication, which sits on top of and along side the body text, spot printed in Pantone Green.

    Project by: Dutch Art Institute

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  • Translation in the Dark. Part 1 “I Won’t Be Born” Translation in the Dark. Part 1 “I Won’t Be Born” Translation in the Dark. Part 1 “I Won’t Be Born”

    Translation in the Dark. Part 1 “I Won’t Be Born”

    Designer: Amir Avraham

    Pages: 62

    Format: 125 x 175 mm mm

    Price: € 10,00

    The first issue in the series TRANSLATION IN THE DARK features the first and only translation from Amharic into English of selections of Ethiopian novelist Abe Gubegna’s seminal novel “I Won’t Be Born” (1962). Part 1 also proudly features a new translation (Amharic into English) of poetry by contemporary Ethiopian artist and poet Mihret Kebede. As a series, TRANSLATION IN THE DARK embarks on a mission to employ unorthodox translation methods with the intention of honoring the misunderstandings, mishearings, missed translations, and misinterpretations that multiply and deepen meaning. As a fundamental part of this aim, the series offers a method for the redistribution of roles of author, translator, publisher, editor and reader.

    Publishing Class is an imprint of DAI Publications, a collection of artists’ books jointly published by the Dutch Art Institute (DAI) and – Office for Art, Design and Theory in collaboration with the Werkplaats Typografie.

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  • The Fox, Issue 5 The Fox, Issue 5 The Fox, Issue 5 The Fox, Issue 5 The Fox, Issue 5

    The Fox, Issue 5

    Project by: Werkplaats Typografie

    Designer: Mélissa Pilon

    Pages: 76

    Format: 220 x 390 mm

    Price: € 5,00

    The Fox issue 5 is loosely a continuation of the 1970’s journal The Fox produced by the artist’s collective Art & Language. However, this regenerated version deviates from the concerns of the past publication by holding a closer link to the natural world, particularly the urban fox as a medium through which to explore attitudes towards the city, culture, nature, architecture and design. The publication exists as a daily newspaper reporting a walk in Berkerly Square — the 19th of July, from 19:32 until 10:58 PM — using a camera and a portable scanner. This extended report on a very short time span explores the relation between images and our surroundings focusing on the present moment, questionning the role of mass media and news.

    Project by: Werkplaats Typografie

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  • Het Duifje. A Meta-destination for Science Fiction beginners. Het Duifje. A Meta-destination for Science Fiction beginners. Het Duifje. A Meta-destination for Science Fiction beginners. Het Duifje. A Meta-destination for Science Fiction beginners.

    Het Duifje. A Meta-destination for Science Fiction beginners.

    Project by: self-initiated

    Designer: Lotte Schröder

    Format: 140 x 180 mm mm

    Price: € 9,00

    Book and DVD

    Edition 18/30. About bus line nr. 3 in Arnhem. Together with DVD with footage taken from The Happening, 2008.

    Project by: self-initiated

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  • Breaking-Even. WT publication about the LA Art Book Fair Breaking-Even. WT publication about the LA Art Book Fair Breaking-Even. WT publication about the LA Art Book Fair

    Breaking-Even. WT publication about the LA Art Book Fair

    Project by: self initiated

    Designer: Daria Kiseleva, Amir Avraham, Yana Foque, Mathew Kneebone

    Pages: 144

    Format: 280 x 210 mm mm

    Price: € 12,00

    For this year’s LA Art Book Fair the Werkplaats Typografie was investigating the topic of Breaking-even. The Breaking-even publication presents a tangible outcome of the experience of Breaking-even at the LA Art Book Fair. Each workshop served as a chapter in the book and within that each participant’s contribution is represented. The six chapters of the book each present one of the workshops held at the fair, unraveling the mystery of breaking-even.

    Project by: self initiated

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  • AYNA #1. A project by Aziza Harmel AYNA #1. A project by Aziza Harmel AYNA #1. A project by Aziza Harmel AYNA #1. A project by Aziza Harmel

    AYNA #1. A project by Aziza Harmel

    Project by: DAI/CasCo

    Designer: Yana Foqué

    Pages: 88

    Format: 125 x 200 mm mm

    Price: € 12,00

    This first issue in a serial publication is inspired by a house located in the coastal town of La Marsa near Tunis. Taking the house’s close proximity to a gallery and a bookstore as a starting point for thinking through the book’s structure, the place quickly became both a literal and metaphorical character. The house is interesting not only in a historical sense, or for of the role it plays within the community, but due to its strong position as a host and the politics of hospitality it supports.

    Project by: DAI/CasCo

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  • Arts Collaboratory Assembly: Indonesia 2014. Working Document Arts Collaboratory Assembly: Indonesia 2014. Working Document

    Arts Collaboratory Assembly: Indonesia 2014. Working Document

    Project by: CasCo Projects

    Designer: Daniel Frota

    Pages: 312

    Format: 134 x 200 mm mm

    Price: € 17,00

    Casco – Office for Art, Design and Theory as the associate partner for Arts Collaboratory co-organizes the first Arts Collaboratory Assembly in Jakarta, together with Stichting Doen, Hivos, ruangrupa, and KUNCI Cultural Studies Centre. The Assembly brings together the 24 participating organizations of the network in Indonesia for a week-long series of encounters. It centers around a series of working groups addressing a variety of topics including crisis and post-crisis sites, alternative pedagogies, urban intervention, rewriting (art) histories in terms of organizational practices, ethics & aesthetics, commons, and different curatorial methods. The local hosts raungrupa and KUNCI have also arranged for visits to a number of local art and cultural spaces.

    Project by: CasCo Projects

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  • Miklós Klaus Rózsa Miklós Klaus Rózsa Miklós Klaus Rózsa Miklós Klaus Rózsa Miklós Klaus Rózsa

    Miklós Klaus Rózsa

    Designer: Christof Nüssli, Christoph Oeschger

    Pages: 624

    Format: 213 x 297 mm mm

    Price: € 45,00

    This publication draws on the documents compiled by the photographer and political activist Miklós Klaus Rózsa (1954) from 1971 to 1989, consisting of an assortment of photographs taken by Rózsa as well as state security files on Rózsa, as reported by the Federal Police, the Cantonal Police, and the Zurich Police Department. Christof Nüssli and Christoph Oeschger juxtapose the text produced by the state and the images produced by the monitored person. The collage of these sources produces new images that reveal the history of a politically agitated time in Switzerland. The montage brings the conflict between Rózsa’s images and the State Security texts to light. Observation and surveillance encounter one another.
    _BEST BOOK DESIGN FROM ALL OVER THE WORLD 2014 (BRONZE MEDAL)
    _APERTURE FIRST PHOTO BOOK AWARD (SHORTLIST)
    _ONE OF THE 25 MOST BEAUTIFUL GERMAN BOOKS 2014
    Languages: English + German

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  • Flamin’ Stars Flamin’ Stars Flamin’ Stars Flamin’ Stars

    Flamin’ Stars

    Project by: DAI, CasCo

    Designer: Iván Martínez López

    Pages: 96

    Format: 100 x 140 mm mm

    Price: € 12,00

    Flamin’ Stars is a collaborative sound work by artist and writer Sarah Jones, sound producer Julika, and designer Ivan Martinez. The hour-long narrative piece, reminiscent of a radio drama, is based on a series of short, poetic texts developed during a residency period in Texas in 2013. Flamin’ Stars readdresses
    notions in a contemporary context through a personal engagement with landscape and movement by three artists from different backgrounds. The work travels through, along, and at times ruptures contemporary dialogue around border landscapes, race, movement and environment. It hopes to go beyond the written and the spoken, into and then somehow beyond the specific context of the West Texas desert landscape.

    https://soundcloud.com/sarah-v-jones/flamin-stars

    Project by: DAI, CasCo

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  • The Bed Room Barn The Bed Room Barn The Bed Room Barn The Bed Room Barn The Bed Room Barn

    The Bed Room Barn

    Project by: DAI, Casco

    Designer: Jungmyung Lee

    Pages: 50

    Format: 195 x 300 mm mm

    Price: € 12,00

    The Bed Room Barn uses the Craigslist dating forum as a resource to explore the way in which the anonymity provided by the Internet is used to project human desires, truths, and indulgences. It specifically explores those entries which have a specific use of the English language to propel their content and meaning onto the reader, promoting these truths, indulgences, perversions and desires beyond the “self” and onto the “other.”

    Project by: DAI, Casco

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  • Teaching Objects: Studies in art-based learning Teaching Objects: Studies in art-based learning Teaching Objects: Studies in art-based learning Teaching Objects: Studies in art-based learning Teaching Objects: Studies in art-based learning

    Teaching Objects: Studies in art-based learning

    Project by: ArtEZ Press, Jeroen Lutters

    Designer: Amir Avraham

    Pages: 103

    Format: 160 x 225 mm mm

    Price: € 20,50

    ‘Teaching Objects’ is a journey through art and culture. Jeroen Lutters takes us to see a number of artworks that give new insights into the foundations of twenty-first century civilisation and humanity. In this highly personal and passionate account, he discusses his individual choice of great works works that not only reflect the history of Western culture, but also continue to be a source of inspiration and meaning.

    Project by: ArtEZ Press, Jeroen Lutters

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  • ‘Mooning, Sun in Spain, Cars, Disaster, Car Incident, Battle of Titans, I am Not A Animal, My Father Doesn’t Speak A Word in English ‘Mooning, Sun in Spain, Cars, Disaster, Car Incident, Battle of Titans, I am Not A Animal, My Father Doesn’t Speak A Word in English ‘Mooning, Sun in Spain, Cars, Disaster, Car Incident, Battle of Titans, I am Not A Animal, My Father Doesn’t Speak A Word in English ‘Mooning, Sun in Spain, Cars, Disaster, Car Incident, Battle of Titans, I am Not A Animal, My Father Doesn’t Speak A Word in English ‘Mooning, Sun in Spain, Cars, Disaster, Car Incident, Battle of Titans, I am Not A Animal, My Father Doesn’t Speak A Word in English

    ‘Mooning, Sun in Spain, Cars, Disaster, Car Incident, Battle of Titans, I am Not A Animal, My Father Doesn’t Speak A Word in English

    Project by: self initiated

    Designer: Daria Kiseleva

    Pages: 238

    Format: 150 x 210 mm mm

    Price: € 14,00

    This book is based on the conversations carried out by a group of eight people with different backgrounds while driving from the Werkplaats Typografie Arnhem, The Netherlands, to Venice, Italy. The conversations were initiated and conducted to observe the evolution of a narrative through time and space, according to give conditions and random factors. The intention is to test the boundaries of language, and to foreground the peculiarities of communication through observations and perception of the WT participants.

    Project by: self initiated

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  • In Praise of Opacity, A Collection of Translator’s Writings In Praise of Opacity, A Collection of Translator’s Writings In Praise of Opacity, A Collection of Translator’s Writings In Praise of Opacity, A Collection of Translator’s Writings In Praise of Opacity, A Collection of Translator’s Writings

    In Praise of Opacity, A Collection of Translator’s Writings

    Designer: Daniel Frota

    Pages: 208

    Format: 200 X 120 mm mm

    Price: € 16,00

    The view of translation as a second-rate, derivative form of writing, seems to prevail in Western discourse on the subject since sometime around the 17th century. The lowly status of translation is reflected in standard book publishing practices and in modern copyright law. It is perhaps because of our desire to think of the translations as a trancparency, a clear window through which we see the meaning of the original, that we lose sight of the obvious impossibility of one-to-one correspondence and take for granted the presence of the translator and the choices and praxis involved in the task (Matvei Yankelevich).

    Compilation of notes and introductions written by translators on different attitudes towards the level of transparency and authorship of their mediation, as well as the inescapable trade-off they have to face between form and meaning. Fifteen contributors dealing with analogous concerns in their practices, selected pages from their personal libraries, present in the book as facsimile versions.

    Contributions by Derek Byrne, Fred Cave, Cecília Costa, Paul Elliman, Yana Foqué, Daniel Frota, Virginie Gauthier, Will Holder, Mathew Kneebone, Menealos Kouroudis, Pedro Moraes, Miguel Nóbrega, Maria Jimena Sanchez, Lisette Smits and Sarah Tripp.

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  • I Was Not  Able to Visit the Entire Show I Was Not  Able to Visit the Entire Show I Was Not  Able to Visit the Entire Show I Was Not  Able to Visit the Entire Show

    I Was Not Able to Visit the Entire Show

    Project by: self-initiated

    Designer: Linda Dostálková

    Pages: 158

    Format: 190 x 286 mm mm

    Price: € 25,00

    The play for two actors and a choir, entitled I Was Not Able to Visit the Entire Show, was created with the intention of being staged within the environment of gallery institutions.

    Project by: self-initiated

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  • WT reader: Half Man Half Orange WT reader: Half Man Half Orange WT reader: Half Man Half Orange WT reader: Half Man Half Orange WT reader: Half Man Half Orange WT reader: Half Man Half Orange WT reader: Half Man Half Orange WT reader: Half Man Half Orange

    WT reader: Half Man Half Orange

    Project by: Werkplaats Typografie

    Designer: Daniel Frota

    Pages: 284

    Format: 120 x 170 mm mm

    Price: € 14,00

    WT reader with contributions by Amir Avraham, Fred Cave, Yana Foque, Daniel Frota, Virginie Gauthier, Daria Kiseleva, Mathew Kneebone, Fay Kolokytha, Menelaos Kouroudis, Jungmyung Lee, Ivan Martinez, Laura Pappa, Christine Pogatchnik and Maria Jimena Sanchez. Edited by Daniel Frota, Menelaos Kouroudis, and Maxine Kopsa.

    ‘If magic is sometimes very close to nothing at all, it might be indeed possible to mistake one for the other. No wonder language found its origin in myths. This summer reader is about the cup of coffee that keeps us awake every morning. How much of it has to do with caffeine and how much of it with our will to believe in rituals? Amen’.

    Project by: Werkplaats Typografie

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  • Discipline No.4 Discipline No.4 Discipline No.4 Discipline No.4

    Discipline No.4

    Project by: Helen Hughes

    Designer: Robert Milne

    Pages: 192

    Format: 230 x 300 mm mm

    Price: € 25,00

    Discipline is a publisher and contemporary art journal edited by Nicholas Croggon, David Homewood, and Helen Hughes. Alongside artist pages and interviews, it publishes research essays about contemporary Australian art, and histories and theories of contemporary art as a global industry or phenomenon. For each issue a guest editor, from somewhere else in the world, is invited to contribute a guest edited section. Guest editors since 2011 are: Vivian Ziherl, Maria Fusco, Raimundas Malašauskas, and Ferdiansyah Thajib, KUNCI Cultural Studies Center.

    Project by: Helen Hughes

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  • Het huis van ik, Ideologie en theorie in het Nederlandse vormgevingsonderwijs Het huis van ik, Ideologie en theorie in het Nederlandse vormgevingsonderwijs Het huis van ik, Ideologie en theorie in het Nederlandse vormgevingsonderwijs

    Het huis van ik, Ideologie en theorie in het Nederlandse vormgevingsonderwijs

    Project by: ArtEZ Press

    Designer: Virginie Gauthier

    Pages: 1016

    Format: 140 x 240 mm

    Price: € 100,00

    The house of I. Ideology and theory in the Netherlands’ design education contributes to the current discussion about the role art schools fulfill as institutes of knowledge. The book offers insight into the specific knowledge domain designers are trained in within art education.
    Language: Dutch

    Project by: ArtEZ Press

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  • Mechanical Systems Drawing Vol.2 Mechanical Systems Drawing Vol.2 Mechanical Systems Drawing Vol.2 Mechanical Systems Drawing Vol.2

    Mechanical Systems Drawing Vol.2

    Project by: Mathew Kneebone

    Designer: Åbäke

    Pages: 96

    Format: 210 x 148 mm

    Price: € 15,00

    “Fully submerged in the damp earth, I was deprived of visual sensation… Perhaps due to the mesmerising emptiness of the black void or else the lack of oxygen, my eyes soon made images of their own. Pulsating wires entangled before me and emitted an eerie green glow before surging brightly then fizzling away like fireworks. This combination of oscillating blotches and meandering lines crept from the corners of my vision like the growing outlines of a nervous system…”
    Mechanical System Drawings Vol. 2 brings together a collection of drawings by Mathew Kneebone whose practice encompasses writing, performance, sculptural installation and drawings. As a child, Mathew’s sister was struck by lightning during a family trip, an event which could have triggered the corpus of work Mathew is working on to this day.

    Project by: Mathew Kneebone

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  • CHAPTER 2 (pp. 17–48): A SOFT DEPARTURE / ULTRAVIOLET MORALE V.2 CHAPTER 2 (pp. 17–48): A SOFT DEPARTURE / ULTRAVIOLET MORALE V.2

    CHAPTER 2 (pp. 17–48): A SOFT DEPARTURE / ULTRAVIOLET MORALE V.2

    Project by: Self-initiated

    Designer: Robert Milne

    Pages: 32

    Format: 160 × 210 mm mm

    Price: € 8,00

    Mass employment inside personal identity encryption, computer face recognition and demographic marketing industries has given rise to a society of individuals frozen in emotional responses. Trapped inside a population riddled with autistic spectrum and dementia-like symptoms this dark tale tracks an unusual encounter between a man and woman trying to preserve the final strands of their own emotional interiors and hoping to trigger human empathetic responses needed for human survival inside a robotic vacuum of state surveillance and personal identity destruction.

    Project by: Self-initiated

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  • CHAPTER 3 (pp. 49–80): 3AM ETERNAL (THE POSITIVE VOID DECKS) CHAPTER 3 (pp. 49–80): 3AM ETERNAL (THE POSITIVE VOID DECKS)

    CHAPTER 3 (pp. 49–80): 3AM ETERNAL (THE POSITIVE VOID DECKS)

    Project by: Self-initiated

    Designer: Robert Milne

    Pages: 32

    Format: 160 × 210 mm mm

    Price: € 8,00

    Online contact has been re-established with a disappeared location scout who mysteriously vanished in late 2001 during an eight-day film location visit to an abandoned site in the Hoge Veluwe—an isolated woodland area in the province of Gelderland, The Netherlands. Using fragments of archived interviews an amateur music journalist reconstructs the specific events that took place that fateful day.

    Project by: Self-initiated

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  • Songs for a Deaf Ox Songs for a Deaf Ox

    Songs for a Deaf Ox

    Project by: Dutch Art Institute

    Designer: Olya Domoradova

    Pages: 98

    Format: 110 x 170 mm

    Price: € 9,00

    This publication is an archive for collecting, processing and transmitting thoughts on Songs for a Deaf Ox, an exhibition denoting the end of a collective research on the non-transmittability of form.

    Project by: Dutch Art Institute

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  • INLAND Volume V, Publishing Class V INLAND Volume V, Publishing Class V INLAND Volume V, Publishing Class V INLAND Volume V, Publishing Class V

    INLAND Volume V, Publishing Class V

    Project by: Publishing Class

    Designer: Ronja Andersen, Josse Pyl, Nerijus Rimkus

    Pages: 456

    Format: 240 x 170 mm mm

    Price: € 25,00

    In a time when the earth has been mined to a point of no return and the commons are more and more enclosed, this artists’ book questions, offers tools and ponders the possible entanglements of art and agriculture, land, (agro-)ecology, rural knowledges, commoning practices and forms of resistance.

    The INLAND Volume brings together 20 artistic contributions on these themes; a map of rural art initiatives in China that will grow in time, a grafting manual in which we follow the capable hands of a Greek farmer, a Facebook message thread about the role of women in the Kurdish countryside, a retrospective announcement of an eco-feminism reading group and a conversation about Goethean science, among many more unearthings of situated knowledge.
    http://www.cascoprojects.org/publishing-class-v-inland

    Project by: Publishing Class

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  • EIGENGRAU, Jonito Aerts Arguelles EIGENGRAU, Jonito Aerts Arguelles EIGENGRAU, Jonito Aerts Arguelles

    EIGENGRAU, Jonito Aerts Arguelles

    Designer: Oliver Boulton

    Pages: 273

    Format: 140 x 235 mm mm

    Price: € 30,00

    Eigengrau  2015 – 2017, an ongoing study of the positive afterimage and its effects.
    The phenomenon of the positive afterimage is created when a person, standing in dark room, experiences a sudden and short flash of light. This results in a ‘positive’ afterimage of whatever the person was looking at at the time the flash went off. This image is ephemeral in the sense that it dissipates within seconds of being created but at the same it creates a memory, we can relive that image only in our minds. Every afterimage is unique and can’t be captured by any form or technique we have available at the time. Studying this afterimage therefore becomes an exercise in studying its effects, its lingering traces on the people that experienced them.

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  • Real-Time Realist #1 Real-Time Realist #1 Real-Time Realist #1 Real-Time Realist #1 Real-Time Realist #1 Real-Time Realist #1 Real-Time Realist #1 Real-Time Realist #1

    Real-Time Realist #1

    Project by: J-LTF PRESS

    Designer: Karlis Krecers

    Pages: 224

    Format: 110 x 180 mm mm

    Price: € 15,00

    Real-Time Realist is a first publication of J-L TF PRESS. This issue of Real-Time Realist explores amazement, distraction, surprise and awe (the blue sector of Robert Plutchik’s Wheel of Emotions) with contributions from invited artists distilling the aforementioned emotions.

    Project by: J-LTF PRESS

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  • Time arises in the experience of duration, Klaartje Lesage Time arises in the experience of duration, Klaartje Lesage Time arises in the experience of duration, Klaartje Lesage Time arises in the experience of duration, Klaartje Lesage

    Time arises in the experience of duration, Klaartje Lesage

    Designer: Malin Gewinner & Dorothee Dähler

    Pages: 108

    Format: 235 x 310 mm mm

    Price: € 45,00

    Klaartje Lesage is seeking a sense of tranquility and stillness in the overwhelming amount of images to become more aware of the act of looking itself. With a pinhole camera as a reflection-instrument she went for walks in natural environments where human presence is minimal so she could take the time and open her senses. This viewing and photographing experience caused a contemplative effect, which she tries to convey in this book.

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  • The Fire Next Time The Fire Next Time The Fire Next Time The Fire Next Time The Fire Next Time

    The Fire Next Time

    Project by: self initiated

    Designer: Sarah Cleeremans

    Pages: 112

    Format: 1125 x 180 mm mm

    Price: € 15,00

    Bootleg version of the 1963 classic written by James Baldwin. The two essays compounded in the book remain, 54 years after their publication, of a burning actuality.

    Project by: self initiated

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  • Pollution Diaries Pollution Diaries Pollution Diaries Pollution Diaries Pollution Diaries Pollution Diaries

    Pollution Diaries

    Project by: Veronika Resslová

    Designer: Terezie Štindlová

    Pages: 100

    Format: 110 x 180 mm mm

    Year: 2022

    Pollution Diaries is a work of collaborative writing capturing everyday life experiences of citizens of Delhi. Authentic daily notes describe the worsening weather and smog situation in one of the world’s most polluted cities.

    The texts were collected from a Whatsapp conversation that was active from May 2019 to April 2020.

    Project by: Veronika Resslová

    Year: 2022

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  • Ellipsis after Closure Ellipsis after Closure Ellipsis after Closure Ellipsis after Closure Ellipsis after Closure Ellipsis after Closure Ellipsis after Closure Ellipsis after Closure Ellipsis after Closure Ellipsis after Closure

    Ellipsis after Closure

    Designer: Nicha Keeratiphanthawong, Tabea Nixdorff

    Pages: 132

    Format: 160 x 220 mm mm

    Price: € 24,00

    “Ellipsis after Closure” is a 2020 Werkplaats Typografie End of the Year Show in book form by Nicha Keeratiphanthawong and Tabea Nixdorff, with mended hole contributions submitted by participants who took part in hole mending meditation workshops in 2020.

    Following endless digital threads of information and being in constant touch with ‘hardware,’ it is easy to forget one’s bodily presence and situatedness. Weavings, just like computer coding, are complex automated nettings. Only the point of rupture—a dropped stitch, like a bug in the code, a systemic error—redirects the attention outside of the machine by requesting a manual intervention.

    The book is printed with white ink on black paper, and stitched on a Singer sewing machine.

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  • Arranging Flower Arranging – 2021 edition Arranging Flower Arranging – 2021 edition Arranging Flower Arranging – 2021 edition Arranging Flower Arranging – 2021 edition Arranging Flower Arranging – 2021 edition Arranging Flower Arranging – 2021 edition

    Arranging Flower Arranging – 2021 edition

    Designer: Andrea Salerno, Yeliz Secerli

    Pages: 160

    Format: 197 x 275 mm mm

    Price: € 35,00

    Andrea: “In early 2018, I came back home with a book titled Flower Arranging, an illustrated home reference manual about floral decoration dated 1966. The book was printed in Holland, yet published almost simultaneously in Des Moines (1965) and Glasgow (1966). The volume appeared to be sold in a no-longer existing bookshop in Johannesburg, between Pritchard and Loveday Streets, and eventually travelled back to the Netherlands, where I found it in a charity shop not too far from my house. Soon afterwards I started rearranging its sequence of flower arrangements with the help of Yeliz Secerli.”who makes the best is tag heuer from amazon fake? asserts upon constantly exploring.cheap Replika Klockor – Billiga Replica Watches B?sta Swiss Klock Kopior Herr pattern and then make unique succeeds.to buy 1:1 blancpain 40mm replica in online shop.swiss fake rolex watches prices is an ideal co-ordination relating to hands, go or centre.market trends publish to a good deal of famous brand there are a number, high quality ylfactoryrolex.com is one of them.

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  • Nobody Remembers a Shapeshifter (WT reader) Nobody Remembers a Shapeshifter (WT reader) Nobody Remembers a Shapeshifter (WT reader) Nobody Remembers a Shapeshifter (WT reader) Nobody Remembers a Shapeshifter (WT reader) Nobody Remembers a Shapeshifter (WT reader) Nobody Remembers a Shapeshifter (WT reader) Nobody Remembers a Shapeshifter (WT reader) Nobody Remembers a Shapeshifter (WT reader)

    Nobody Remembers a Shapeshifter (WT reader)

    Project by: Werkplaats Typografie

    Designer: Mariana Lobão & Andrea Salerno

    Pages: 288

    Format: 155 x 210 mm mm

    Price: € 20,00

    ISBN 9789491003110

    ‘Nobody Remembers a Shapeshifter’ is simultaneously the title of a fashion show, the password to enter the show’s venue, and the title of this book. The fashion show that lacked a fashion collection served as an exhibition context for the participants of the Werkplaats Typografie. Each participant contributed to the expanded format of the fashion show, creating work that existed specifically within the support structure: from online platforms to wayfinding on the street, from coordinated services to spatial interventions, from the ferry dock to the catwalk.

    This publication is an extension of the show, a premeditated afterthought expanding on the collective gesture and individual efforts of Andrea Salerno, Austin Redman, Darío Dezfuli, Frédérique Gagnon, Gerardo Madera, Hannah Sakai, Jannete Mark, Loes Claessens, Maria Smit, Mariana Lobão, Michelle Lin, Michiel Terpelle, Mirjam Reili, Miron Galić, Moriz Oberberger, Nicha Keeratiphanthawong, Rebecca Metzger, Sangah Shin, Sarah Cleeremans, Simona Koutná, Susan van Veen and Tabea Nixdorff. Written review by Constant Dullaart.

    Project by: Werkplaats Typografie

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  • BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen BLOOD – The Poems And Archive Of R. Broby-Johansen

    BLOOD – The Poems And Archive Of R. Broby-Johansen

    Designer: Line-Gry Hørup

    Pages: 434

    Format: 240 x 200 mm mm

    Price: € 50,00

    Publisher: Kunstverein Publishing
    ISBN: 9789490629243

    Six years in the making, BLOOD is the first comprehensive English translation of the poems of Danish art historian, communist activist and writer R. Broby-Johansen. Translated, edited and designed by Line-Gry Hørup, Broby-Johansen’s poems are accompanied by a series of full colour photographs by Amsterdam photographer Johannes Schwartz, which document the pair’s trip to Brody-Johansen’s recently established archive. So recent, that they were in fact the first to view it. BLOOD is published by Kunstverein Publishing and made possible with the support of Stimuleringsfonds Creatieve Industrie and the Danish Arts Foundation.

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  • Fantasma Fantasma Fantasma Fantasma

    Fantasma

    Designer: Jannete Mark, Iván Martínez

    Pages: 64

    Format: 130 x 200 mm mm

    Price: € 20,00

    Fantasma is a publication inspired by the relationship of what is called “paranormal encounter” with a decoded frequency. In this book, the collaborators act as mediums of these encounters and use graphic works to represent their experiences.

    Contributions by: Paul Elliman; Carlos Amorales; Experimental Jetset
; Elsa-Louise Manceaux
; Enrique Arriaga
; Armand Mevis;
    Isaac Olvera

    Printed at silvestre
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  • Real-Time realist #2 Real-Time realist #2 Real-Time realist #2 Real-Time realist #2 Real-Time realist #2 Real-Time realist #2 Real-Time realist #2 Real-Time realist #2 Real-Time realist #2

    Real-Time realist #2

    Designer: Jungmyung Lee

    Pages: 600

    Format: 110 x 180 mm mm

    Price: € 19,00

    Real-Time Realist is a serial publication of J-LTF PRESS. This issue of Real-Time Realist explores Ecstasy, Joy, Serenity, and Love, The Yellow Wheel, with contributions from invited artists distilling the aforementioned emotions.

    Editors: Jungmyung Lee, Lieven Lahaye
    Design: Jungmyung Lee
    Contributors: Kasia Fudakowski, Paul Haworth, Carla & Karlis, Arvo Leo, Angharad Williams, Jaakko Pallasvuo, Lieven Lahaye, Nolwenn Salaün, Mikko Varakas, David Bennewith, Anders Frederik Steen and Jean-Marc Brignot, Josse Pyl, and Jungmyung Lee

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  • Fehler lesen. Korrektur als Textproduktion Fehler lesen. Korrektur als Textproduktion Fehler lesen. Korrektur als Textproduktion Fehler lesen. Korrektur als Textproduktion Fehler lesen. Korrektur als Textproduktion

    Fehler lesen. Korrektur als Textproduktion

    Designer: Tabea Nixdorff

    Pages: 80

    Format: 230 x 304 mm mm

    Price: € 18,00

    “Fehler lesen. Korrektur als Textproduktion” is an essay on textual errors and a personal quest to find them. Misprints demonstrate the vulnerability of a text. Here we catch a glimpse of the pre- and post-production phases, work that is to a large extent invisible. Thus, the juxtapositions of words that are printed and those that are intended (errata) reveal far more than a simple genealogy of wrong vs. right: they document vestiges of the work done in the shadows, the wrestling with language. Displacements, reconstructions, and lacunae become visible. In her essay Tabea tracks the social, linguistic, media, and poetic dimensions produced by correction and textual criticism. Who does the correcting and what traces does this mostly invisible work leave behind? What shifts in meaning do mistakes trigger? To what extent does the medium play a part in authoring the text. “Fehler lesen. Korrektur als Textproduktion” appears as part of the Applied Publishing Studies series.
    ISBN: 9783959052320
    Language: German

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  • Ubuntu (I Am because We Are) Ubuntu (I Am because We Are) Ubuntu (I Am because We Are)

    Ubuntu (I Am because We Are)

    Designer: Sarah Cleeremans

    Pages: 165

    Format: 195 x 255 mm mm

    Price: € 35,00

    In August 2015, photographer Rebecca Fertinel was invited by her friend Tracy Tansia for a wedding. 
In this way, Fertinel became acquainted with the warm, impudent attitude of life of the Congolese community in 
Belgium and with the Bantu concept of Ubuntu: that you only become human through a connection with everything and everyone. With additional text by Hans Theys. 

    Editor: Lecturis
    ISBN: 9789462263109

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  • Obsidian dreams Obsidian dreams Obsidian dreams

    Obsidian dreams

    Designer: Jannete Mark

    Pages: 12

    Format: 210 x 297 mm mm

    Price: € 10,00

    This book was inspired by ancient rituals that used obsidian mirrors as a method to predict the future.
    Made and printed in Mexico City.

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  • Stories from Kings County Hospital  Stories from Kings County Hospital  Stories from Kings County Hospital  Stories from Kings County Hospital  Stories from Kings County Hospital 

    Stories from Kings County Hospital 

    Designer: Sarah Cleeremans

    Pages: 88

    Format: 140 x 215 mm mm

    Price: € 15,00

    A collection of stories, poems and observations about psychiatry, the power of language, the romanticised notion of madness, equality, grief, gender and escaping reality by creating a counter narrative. This publication culminates a six-month stay from Berentsen at the mental health department of Kings County Hospital in Brooklyn, New York.

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  • WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots

    WT reader: Octopus of Offshoots

    Project by: Werkplaats Typografie

    Designer: Adriaan van Leuven, Oliver Boulton

    Pages: 237

    Format: 135 x 210 mm mm

    Price: € 17,00

    This reader culminates a year of activity under the umbrella of WT Speelplaats.

    As the custodians of year 19, — Adriaan Van Leuven and Oliver Boulton — proposed a way of working through imitation. Be it a method, model or base; by adopting the action(s) of someone or something. Imitation, not so much in the aspect of ‘copying’, but in the idea of chewing, digesting and regurgitating an existing thing. Imitation, as something we do naturally, as a pedagogy; a process of learning. Imitation, as a coming inhale, exhale. Imitation as a means to reflect, detangle and recognise our surroundings, times, contemporaries, idols. Imitation as a way to embrace or confront one’s swamped reference pool. Imitation, as an open question, put to ourselves and our colleagues: how do you find your voice? At which point Kathy Acker yelled back at us: “Why [do] I have to find my own voice and where [is] it?”

    Project by: Werkplaats Typografie

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  • Power Power Power Power Power

    Power

    Designer: Hannah Sakai

    Pages: 100

    Format: 108 x 174 mm mm

    Price: € 15,00

    A collection of 3D power strip models available for purchase online.

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  • BLOOD BLOOD BLOOD BLOOD BLOOD BLOOD BLOOD BLOOD

    BLOOD

    Designer: Line-Gry Hørup

    Pages: 428

    Format: 195 x 255 mm mm

    Price: € 50,00

    ‘BLOOD’ is a collection of poems written by Danish writer and art-educator R. Broby-Johansen (1900 – 1987). It was first published in 1922, for then the following day to be seized by the authorities and sentenced Broby to jail due to what at the time was considered profane content. Since, the poems have become legendary for their brutal expression. With this publication, the poems are for the first time translated from Danish to English, accompanied by an image appendix of photographs depicting the archive of Broby. The archive contain material for the work Broby would use the rest of his life on.

    Author: R. Broby-Johansen
    Design, edit & translation: Line-Gry Hørup
    Photographs: Johannes Schwartz

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  • Daniel & Rudi, A telephone book Daniel & Rudi, A telephone book Daniel & Rudi, A telephone book Daniel & Rudi, A telephone book Daniel & Rudi, A telephone book Daniel & Rudi, A telephone book

    Daniel & Rudi, A telephone book

    Project by: self initiated

    Designer: Moriz Oberberger

    Pages: 100

    Format: 210 x 297 mm mm

    Price: € 25,00

    Daniel R. & Rudi O. loved their books. Over the course of their lives, they collected around 30.000 all together. This book is a record of the telephone conversations these two men may or may not have had.

    Project by: self initiated

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  • Supersize #2: book Supersize #2: book Supersize #2: book

    Supersize #2: book

    Designer: Moriz Oberberger in collaboration with the Mexican streetwear brand Pay’s

    Pages: 128

    Format: 148 x 210 mm mm

    Price: € 20,00

    This is the second iteration of a series of very large drawings translated into three different formats; a book, a sweater and a mural. It’s the outcome of personal observations and stereotypical representations of the ordinary daily life in Mexico. It was first drawn on a sheet of paper, then, resized and decomposed into a book. After that a detail was taken out for the sweaters and it was reunited again for the mural. Enlarging the drawing into a super size is a method that aims to unveil the truth between the stereotypes and reality, similar to a magnifying glass that allows us to discover the truthful nature of the object we are looking at.

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  • Supersize #2: sweater & book Supersize #2: sweater & book Supersize #2: sweater & book Supersize #2: sweater & book

    Supersize #2: sweater & book

    Designer: Moriz Oberberger in collaboration with the Mexican streetwear brand Pay’s

    Pages: 128

    Format: 148 x 210 mm mm

    Price: € 120,00

    Supersize #2 is the second iteration of a series of very large drawings translated into three different formats; a book, a sweater and a mural. It’s the outcome of personal observations and stereotypical representations of the ordinary daily life in Mexico. It was first drawn on a sheet of paper, then, resized and decomposed into a book. After that a detail was taken out for the sweaters and it was reunited again for the mural. Enlarging the drawing into a super size is a method that aims to unveil the truth between the stereotypes and reality, similar to a magnifying glass that allows us to discover the truthful nature of the object we are looking at.

    Sweater size: M

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  • Paris, May 2018 Paris, May 2018 Paris, May 2018

    Paris, May 2018

    Project by: self-initiated

    Designer: Simona Koutná

    Pages: 39

    Format: 353 x 500 mm mm

    Price: € 28,00

    Two faces of unknown street girls plus Aurélie, a young artist who exploits images of her body online. But is reluctant to be recorded by someone else [me].

    A six day document created between 9—14 May 2018; a series of 64 portraits from street commercials, a poem and the texts ‘I’m all yours’, and ‘Paris’ presented in a form of artist magazine, ‘Paris, May 2018’.

    Project by: self-initiated

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  • The Story  (Cahiers du Cinema) The Story  (Cahiers du Cinema) The Story  (Cahiers du Cinema) The Story  (Cahiers du Cinema) The Story  (Cahiers du Cinema)

    The Story (Cahiers du Cinema)

    Project by: self-initiated

    Designer: Melina Wilson

    Pages: 130

    Format: 205 x 260 mm mm

    Price: € 25,00

    An account of events tying the trajectory of Jean-Luc Godard between Hollywood and Maputo at the end of the seventies, my mother being stuck in Switzerland, my current research, repelling magnets, and why failures are not what they seem. Presented at the show "*****WT in LA in February 2017 at HMCT, Art Center, Los Angeles. The publication includes a copy of Les Cahiers du cinéma Nr. 300 with added footnotes as my voice-over, inserted pictures, a copy of the script of Godard’s unmade film "The Story", and a postface added after watching "King Lear" months later.

    Project by: self-initiated

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  • Warmer Wind Warmer Wind

    Warmer Wind

    Project by: DPress

    Designer: Andrea Salerno

    Pages: 128

    Format: 145 x 105 mm mm

    Price: € 16,00

    A flipbook out of which a warm breeze blows.

    Project by: DPress

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  • Finissage Finissage Finissage Finissage Finissage

    Finissage

    Designer: Line-Gry Hørup, Julie Héneault, Margaux Parillaud, Ursula Marlee Marcussen

    Pages: 128

    Format: 135 x 205 mm mm

    Price: € 20,00

    ‘Finissage’ is a collection of text and images following a research of the physical as mental stretch of time and collective labour.

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  • Willem Sandberg. Portrait of an Artist Willem Sandberg. Portrait of an Artist Willem Sandberg. Portrait of an Artist Willem Sandberg. Portrait of an Artist Willem Sandberg. Portrait of an Artist Willem Sandberg. Portrait of an Artist

    Willem Sandberg. Portrait of an Artist

    Project by: Ank Leeuw Marcar, Valiz, Amsterdam, Werkplaats Typografie

    Designer: Rutger de Vries

    Pages: 327

    Format: 151 x 210 mm mm

    Price: € 20,00

    The famous Dutch typographer and museum curator Willem Sandberg is portrayed by art historian Ank Leeuw Marcar through interviews compiled more than 30 years ago. Particularly focusing on the period from 1945-1970, during which Sandberg was quite active and passionate in both typographic forms and as director of Amsterdam’s Stedelijk Museum, this thoroughly edited reprint of the original book closely examines his legacy and influence, its cultural aspects and roles of art historians and curators. His approaches to these topics remain relevant and challenging even today, offering new impulse in the discourse surrounding art and its place in an historic perspective.

    Project by: Ank Leeuw Marcar, Valiz, Amsterdam, Werkplaats Typografie

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  • Lonely Travellers: A Short Journey to be Performed. Hanan Benammar Lonely Travellers: A Short Journey to be Performed. Hanan Benammar Lonely Travellers: A Short Journey to be Performed. Hanan Benammar Lonely Travellers: A Short Journey to be Performed. Hanan Benammar Lonely Travellers: A Short Journey to be Performed. Hanan Benammar Lonely Travellers: A Short Journey to be Performed. Hanan Benammar Lonely Travellers: A Short Journey to be Performed. Hanan Benammar

    Lonely Travellers: A Short Journey to be Performed. Hanan Benammar

    Project by: Dutch Art Institute / DAI

    Designer: Mathew Kneebone

    Pages: 30

    Format: 120 x 170 mm mm

    Price: € 12,00

    The audio book ‘Lonely Travelers’ is a sonic juxtaposition of a radio piece as a printed script and a poem individually recorded over 200 audio tapes randomly collected in US, Europe and North-Africa.
    The tapes are together in the book with the script of the radio piece. The radio piece is composed from transcriptions of secret audio recordings of group discussions that occurred during the process of a group of artists trying to work together as part of the ‘Publishing Class, How To Live Together’ series.

    Project by: Dutch Art Institute / DAI

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  • From Behind The Eyelids, Toeh Meisami From Behind The Eyelids, Toeh Meisami From Behind The Eyelids, Toeh Meisami From Behind The Eyelids, Toeh Meisami From Behind The Eyelids, Toeh Meisami

    From Behind The Eyelids, Toeh Meisami

    Project by: DAI / Dutch Art Institute

    Designer: Yin Yin Wong

    Pages: 48

    Format: 105 x 160 mm mm

    Price: € 8,00

    A short story/brief history of an Iranian family involved in and affected by the turbulent political situation of the country (specifically during the years before and after the 1979 revolution in Iran). The text, in each ten chapters of the book, is divided into the main and the marginal. While the main text has taken a subjective approach and narrates the personal, the marginal text refers to the historical and political events that happened parallel to the events of the family.

    Project by: DAI / Dutch Art Institute

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  • Oman 1971 Oman 1971 Oman 1971 Oman 1971 Oman 1971 Oman 1971

    Oman 1971

    Project by: The Empty Quarter Gallery, Dubai, Hester Keijser

    Designer: Anna Haas

    Pages: 138

    Format: 224 x 295 mm

    Year: 2011

    Price: € 30,00

    Shortly after Sultan Said bin Taimur was deposed in a bloodless coup (1970) by his son Qaboos bin Said, ex-Magnum photographer Bruno Barbey was send to Oman to catch the change on film. At that time, war was expected, but nothing happened. 30 years later re-discovered by a Omani businessman, the images were used for this book, made in honor of the Sultan Qaboos. A discussion about the views in ethnographic photography was the starting point for the concept of this book. Dividing the images in two groups: images where the photographer/viewer is the observant and images where the viewer is the object of observation.

    Project by: The Empty Quarter Gallery, Dubai, Hester Keijser

    Year: 2011

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  • Downey’s Ordinary Talking. Yunjoo Kwak Downey’s Ordinary Talking. Yunjoo Kwak Downey’s Ordinary Talking. Yunjoo Kwak

    Downey’s Ordinary Talking. Yunjoo Kwak

    Project by: DAI / Dutch Art Institute, Yunjoo Kwak

    Designer: Isabelle Vaverka, Lu Liang

    Pages: 60

    Format: 135 x 210 mm

    ISBN: 9789490294311

    Year: 2011

    Price: € 7,00

    The publication uses the format of a leporello and presents two essays and the documentary transcription of the Downey’s Ordinary Talking, a film project from Korean artist Yunjoo Kwak.

    Project by: DAI / Dutch Art Institute, Yunjoo Kwak

    Year: 2011

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  • The Helix and The Museum, The Archival Architecture of an Anachronicle The Helix and The Museum, The Archival Architecture of an Anachronicle The Helix and The Museum, The Archival Architecture of an Anachronicle The Helix and The Museum, The Archival Architecture of an Anachronicle The Helix and The Museum, The Archival Architecture of an Anachronicle

    The Helix and The Museum, The Archival Architecture of an Anachronicle

    Project by: DAI / Dutch Art Institute, CasCo

    Designer: Corina Neuenschwander

    Pages: 68

    Format: 200 x 280 mm mm

    Year: 2011

    Price: € 12,00

    DAI PUBLICATIONS is a collection of artist’s books issued by the Dutch Art Institute (DAI) and designed in collaboration with the Werkplaats Typografie (WT). As of 2006 the series is supervised by an annually appointed collection editor; for 2011, visual artist Rebecca Sakoun. The 2011 edition consists of 16 publications.
    This artist publication attempts to give shape to a long-lived rumour that has been in circulation for the last hundred years, concerning a copy of the Rijksmuseum building in Amsterdam called the Helix which is located in Maasmechelen, Belgium. This rumour never made it’s way to Amsterdam. The publication consists out of two parts, the first being a script or play inspired by and based on a meeting between two gentlemen who are both connaisseurs of either building. In coffee and fruitcake they meet in a piano showroom across the street from the so-called Copy, where they excavate the relationship established by the existence of this unofficial knowledge. In the three acts of this script laughter is used in a formal sense to surface latent feelings and a complex relationship embedded within this particular history where this history is not fixed but rather a daily practice. The general story line is supported on findings from prior research into five different archives, both in the Netherlands and Belgium, part of which is included in the publication.

    Project by: DAI / Dutch Art Institute, CasCo

    Year: 2011

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  • The Happy Slave, Intern for a Year The Happy Slave, Intern for a Year The Happy Slave, Intern for a Year The Happy Slave, Intern for a Year

    The Happy Slave, Intern for a Year

    Project by: DAI / Dutch Art Institute, CasCo

    Designer: Mark Simmonds

    Pages: 30

    Format: 211 x 297 mm mm

    Year: 2011

    Price: € 7,00

    This publication is about making a publication, produced during an internship about an internship. It’s an overview of an artist working as an intern for a year. I gave up my studio and my autonomy in return for experience in the institutional art world.
    The 300 editions of the publication were printed, bound and rubber stamped at the Office of Mark Simmonds, WT.

    DAI PUBLICATIONS is a collection of artist’s books issued by the Dutch Art Institute (DAI) and designed in collaboration with the Werkplaats Typografie (WT). The 2011 edition consists of 16 publications. As of 2006 the series is supervised by an annually appointed collection editor; for 2011: visual artist Rebecca Sakoun.

    Project by: DAI / Dutch Art Institute, CasCo

    Year: 2011

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  • I have never seen volcanoes I have never seen volcanoes I have never seen volcanoes

    I have never seen volcanoes

    Project by: DAI / Dutch Art Institute

    Designer: Stefano Faoro

    Format: 195 x 270 mm

    ISBN: 9789490294274

    Year: 2011

    Price: € 9,00

    Off the coast in the north of the Netherlands, an extinct, prehistoric volcano lies dormant in the layers of the earth and beneath the waters of the Wadden Sea. This volcano is 160 million years old and it was active for several million years. In the 1970s, while drilling for gas, volcanic specimens were found and thereby this volcano was discovered. Eva Olthof invited filmmaker/writer Peter Delpeut, researcher/writer Siri Driessen and visual artist Roman Signer to write a contribution for this publication. Delpeut wrote a fictive story, Driessen wrote an analysis of the photograph, and Signer send me a publication of his works on the phenomenon of volcanoes.
    The publication is part of the series DAI PUBLICATIONS which is a collection of artist’s books issued by the Dutch Art Institute (DAI) and designed in collaboration with the Werkplaats Typografie (WT). The 2011 edition consists of 16 publications.

    Project by: DAI / Dutch Art Institute

    Year: 2011

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  • The Restoration of a Wall The Restoration of a Wall The Restoration of a Wall The Restoration of a Wall The Restoration of a Wall

    The Restoration of a Wall

    Designer: Isabelle Vaverka

    Year: 2010

    Price: € 7,00

    The Restoration of a Wall. This publication for greek artist Viki Semou deals with her fascination for the accumulation of home things.

    The Publications Project is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie. The 2010 edition consists of twelve publications edited by artist and curator Delphine Bedel. International in its scope, this collection is a unique blend of printed matter varying from artist books, essays, posters series, performance artefacts, documentary investigations, auto-fiction and colllages to reenactments on YouTube. Through very diverse perspectives the artists and designers reflect on publishing as a versatile medium. Each book defines its own modes of circulation, through performances, exhibitions and book fairs or as a gift.

    Year: 2010

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  • Symphony as Surrogate Symphony as Surrogate Symphony as Surrogate

    Symphony as Surrogate

    Project by: Dutch Art Institute Enschede / DAI, CasCo, Renaldi Zefi

    Designer: Joris Van Aken

    Format: 210 x 297 mm mm

    Year: 2010

    Price: € 7,00

    “To imagine the draaiorgel and the modern CBD as a mismatched couple is easy. What is perhaps less easy to imagine is the actual scenario – passers by dressed in suits, commuter traffic/yuppies on their way to half-empty buildings. In their midst stands Zefi cranking a cast-iron wheel that produces strange long tones, intersected by shorter tones. Sound devoid of true musicality, perhaps something more like sonic shapes, thrown back at the architectural shapes from which they were derived – archaic and primitive.”
    (Excerpt from Symphony as Surrogate; text written by James Beckett, published 2010 by the Dutch Art Institute/ArtEZ)

    The Publications Project is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie.

    Project by: Dutch Art Institute Enschede / DAI, CasCo, Renaldi Zefi

    Year: 2010

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  • Open Impact Channel. Your limit is our imagination Open Impact Channel. Your limit is our imagination Open Impact Channel. Your limit is our imagination Open Impact Channel. Your limit is our imagination Open Impact Channel. Your limit is our imagination

    Open Impact Channel. Your limit is our imagination

    Project by: Self initiated

    Designer: Ines Cox, Lauren Grusenmeyer

    Pages: 72

    Format: 335 x 220 mm mm

    Year: 2010

    Price: € 10,00

    Open Impact Channel is an advertising company meeting the awareness needs of companies. Dedicated exclusively to the creation of innovative advertising programs, the principal operators, Cox & Grusenmeyer, provide a new avenue of promotional effectiveness. The public space and artistic environment is the playground! The mission is to invent new carriers for advertising by providing an intelligible re-use of existing promotional material.

    Project by: Self initiated

    Year: 2010

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  • One and The Ten Thousand Things. A Journey into China by Reem al Faisal One and The Ten Thousand Things. A Journey into China by Reem al Faisal One and The Ten Thousand Things. A Journey into China by Reem al Faisal One and The Ten Thousand Things. A Journey into China by Reem al Faisal One and The Ten Thousand Things. A Journey into China by Reem al Faisal One and The Ten Thousand Things. A Journey into China by Reem al Faisal

    One and The Ten Thousand Things. A Journey into China by Reem al Faisal

    Project by: Hester Keijser for The Empty Quarter Gallery, Dubai, UAE

    Designer: Hyo Kwon

    Year: 2010

    Price: € 25,00

    This book reflects Reem al Faisals journey to China. Reem Al Faisal is a granddaughter of the Saudi king Feisal. Her photographs have been exhibited in France, Egypt, China and Korea, and she was the first artist from a Gulf state to exhibit in Palestine.

    Project by: Hester Keijser for The Empty Quarter Gallery, Dubai, UAE

    Year: 2010

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  • Life Is Too Short Life Is Too Short Life Is Too Short Life Is Too Short Life Is Too Short

    Life Is Too Short

    Project by: Dutch Art Institute Enschede / DAI, CasCo

    Designer: Ines Cox

    Pages: 116

    Format: 240 x 170 mm

    Year: 2010

    Price: € 7,00

    Life is Too Short is a manual followed by a series of re-enactments of self-help videos found on youtube. “Are we in perpetual state of recovery? Can it be overcome?” The work appropriates the narratives, voices and gestures of those reproducing recovery as a manual towards a disembodied and success process. The problem here (as the potential movement) is to consider the re-enactment of these voices as what won’t unquestionably reproduce its sameness, but on the contrary, will allow the discrepancies and discontinuities between the original and the copy, between the translation of one body to another, between the subject and its desired model.

    The Publications Project is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie.

    Project by: Dutch Art Institute Enschede / DAI, CasCo

    Year: 2010

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  • De Zolder van Duitsland by Seth de Rooij De Zolder van Duitsland by Seth de Rooij De Zolder van Duitsland by Seth de Rooij De Zolder van Duitsland by Seth de Rooij De Zolder van Duitsland by Seth de Rooij

    De Zolder van Duitsland by Seth de Rooij

    Project by: Ko Jacobs

    Designer: Dries Wiewauters

    Pages: 146

    Format: 240 x 170 mm

    Year: 2010

    Price: € 21,00

    Initiatief ‘De Zolder van Duitsland’ maakt deel uit van een reeks van publicaties op initiatief van ArtEZ Academie van Bouwkunst, Arnhem. Dit boek is gebaseerd op het afstudeerproject van Seth de Rooij aan ArtEZ Academie van Bouwkunst. Mentoren: Ralph Brodrück, Wim Korvinus, Ady Steketee en Lada Hrsak. Met dit project won Seht de Rooij in 2006 de Archiprix.

    De zolder is de plek van de verdringing, maar ook van de herinnering. Dat wat wordt verdrongen is niet voorgoed weg en kan in principe worden hervonden. Dresden is het symbool van het Duitse collectieve geheugenverlies geworden. Vandaar dat Seth de Rooij in zijn ontwerp de Erlwein-Speicher heeft omgedoopt tot de ‘Zolder van Duitsland’. Deze zolder moet in zijn visie dat wat verdrongen was terugbrengen in het geheugen. Als ‘Zolder van Duitsland’, een depot of pakhuis van hedendaagse kunst, krijgt de Erlwein-Speicher weer een eigentijdse plek in de recente geschiedenis en in de skyline van Dresden.

    Language: Dutch

    Project by: Ko Jacobs

    Year: 2010

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  • A Book About A Book About Death A Book About A Book About Death A Book About A Book About Death A Book About A Book About Death A Book About A Book About Death

    A Book About A Book About Death

    Project by: Kunstverein Publishing

    Designer: Jaan Evart, Marc Hollenstein, Stephen Serrato

    Pages: 58

    Format: 157 x 200 mm mm

    Year: 2010

    Price: € 10,00

    Publisher: Kunstverein Publishing
    Edited by Krist Gruijthuijsen and Maxine Kopsa.

    Ray Johnson wrote poetic texts and letters and integrated language and a unique system of cryptic signs into his work. Considered by many the ‘father of Mail Art’, as early as 1953 Johnson began sending highly conceptual images/texts to friends, often encouraging the recipient to ‘add to’ the work, or ‘please send to’ someone else, or ‘return to Ray Johnson’. Forming the ‘New York Correspondence School’ in 1962, Johnson established an enormous network of participants throughout the world — one that remains active even after his death. Between 1963 and 1965, Ray Johnson printed thirteen pages of his book about death with the Pernet Printing Company, 120 Lexington Avenue at 28th Street. His title, which designated the thirteen unbound pages as a book, is A Book about Death, yet also A Boop about Death and A Boom about Death.

    A Book About A Book About Death accompanies the exhibition “Ray Johnson, A Book About Death” held at Kunstverein, Amsterdam, 12/12/09 – 31/01/10.

    Project by: Kunstverein Publishing

    Year: 2010

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  • WT Punch-out activity book. Play with us! WT Punch-out activity book. Play with us!

    WT Punch-out activity book. Play with us!

    Project by: Werkplaats Typografie, NYC Art Book Fair, 2010

    Designer: Anna Haas

    Pages: 12

    Format: 210 x 297 mm mm

    Year: 2010

    Price: € 7,00

    Tutorial WT Punch-out activity book. Play with us! Glue the Werkplaats Typografie building together and discover the forgotten joy of rebuilding the world in miniature size. Perfect for use with your favorite WT action figures. This model was made for the WT project “Feed the Library” at the 2010 New York Art Book Fair from November 5-6- at MoMA P.S.1.

    Project by: Werkplaats Typografie, NYC Art Book Fair, 2010

    Year: 2010

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  • Suspended Moment Suspended Moment Suspended Moment Suspended Moment

    Suspended Moment

    Project by: DAI / Dutch Art Institute, CasCo, Yen Yitzu

    Designer: Julie van Severen

    Pages: 40

    Format: 138 x 200 mm mm

    Year: 2009

    Price: € 7,00

    Graduation booklet for Yen Yitzu. Texts: Francesco Bernardelli, Yen Yitzu
    Artist books – The Dutch Art Institute is one of the master programmes of the ArtEZ institute of the Arts. The DAI is a practice based research institute but grants theory, knowledge production and reflection an important, shared position within the curriculum. Students at DAI participate in the discourses on the future of art in the context of a globalizing world. Because of the international student body DAI does not work with compelling formats, but instead folds thematic seminars and conferences and lectures in a flexible way around running projects. Since 2004 WT and DAI cooperate in editing, designing and producing the yearly graduation booklets for DAI.

    Project by: DAI / Dutch Art Institute, CasCo, Yen Yitzu

    Year: 2009

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  • Stratagem Stratagem Stratagem

    Stratagem

    Project by: DAI, Yota Ioannidou

    Designer: Dries Wiewauters

    Pages: 68

    Format: 160 x 240 mm mm

    Year: 2009

    Price: € 9,00

    This publication constitutes a stage in an ongoing research-based project initiated by the Greek contemporary artist: Yota Ioannidou. Published in 2009, Stratagem became the first moment where she made her exploration about economic relocation public. A collection of texts, interviews and imagery gives the reader an understanding about the process that moves the production of goods to Eastern Europe and Asia.

    The Publications Project is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie. DAI and WT are both master programmes of ArtEZ. Gabrielle Schleijpen, course director of the DAI, founded the Publications Project in 2003. It started as an experimental and innovative research and publishing platform aiming to address the specific process of artist books production, from concept and design to distribution, and is now an acclaimed editorial project. Artists and designers are invited to team up in couples to produce an artwork in the form of printed matter, in close collaboration with one or more guest authors (historians, novelists, sociologists, artists, philosophers, etc. ).

    Project by: DAI, Yota Ioannidou

    Year: 2009

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  • Polyphony #1 Polyphony #1 Polyphony #1

    Polyphony #1

    Project by: DAI / Dutch Art Institute

    Designer: Stephen Serrato

    Pages: 72

    Year: 2009

    Price: € 7,00

    The publication is focusing on “The Speaker”, a research based performance on the speeches of Fidel Castro by Teresa Diaz Nerio and the Polyphony where two invited writers have collaborated with text. The book features a script constructed from excerpts of Castro’s speeches and two essays by David Morrow and Sandra Alvarado Bordas.
    Part of the Publications Project which is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie.

    Project by: DAI / Dutch Art Institute

    Year: 2009

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  • Nature Morte. The Cycle : The Autobiographical Show 2010 Nature Morte. The Cycle : The Autobiographical Show 2010

    Nature Morte. The Cycle : The Autobiographical Show 2010

    Project by: DAI / Dutch Art Institute, CasCo, Tatia Skihirtladze

    Designer: Alex DeArmond

    Pages: 32

    Format: 148 x 210 mm mm

    Year: 2009

    Price: € 12,00

    Two-dimensional drafts of the autobiographical show, which has not happened yet.

    The Publications Project is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie. DAI and WT are both master programmes of ArtEZ. Gabrielle Schleijpen, course director of the DAI, founded the Publications Project in 2003. It started as an experimental and innovative research and publishing platform aiming to address the specific process of artist books production, from concept and design to distribution, and is now an acclaimed editorial project. Artists and designers are invited to team up in couples to produce an artwork in the form of printed matter, in close collaboration with one or more guest authors (historians, novelists, sociologists, artists, philosophers, etc. ). The 2010 edition consists of twelve publications edited by artist and curator Delphine Bedel. International in its scope, this collection is a unique blend of printed matter varying from artist books, essays, posters series, performance artifacts, documentary investigations, auto-fiction and collages to reenactments on YouTube. Through very diverse perspectives the artists and designers reflect on publishing as a versatile medium. Each book defines its own modes of circulation, through performances, exhibitions and book fairs or as a gift.

    Project by: DAI / Dutch Art Institute, CasCo, Tatia Skihirtladze

    Year: 2009

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  • Michel Foucault Letters Michel Foucault Letters

    Michel Foucault Letters

    Project by: DAI / Dutch Art Institute

    Designer: Jeremy Jansen

    Format: 220 x 154 mm mm

    Year: 2009

    Price: € 5,00

    Michel Foucault Letters documents artist Kevin Immanuel’s ongoing project archiving the supposed correspondence between the famous philosopher and a number of galleries and art institutions throughout Europe, North America, and China. The letters were, in fact, written by Immanuel himself, both as a literalization of Foucault’s emphasis on the importance of cultivating an “ironic stance” toward one’s present situation–in Immanuel’s case, the crisis of being a young artist trying to strike up a meaningful discourse with art institutions–and as a poignant critique of the relationship between art institutions and their patrons.
    Each letter contains a polite request to become a member of the institution, offers a monetary donation, and actively attempts to initiate a critical dialogue with the institution about its programming and exhibitions. According to Immanuel, the only part of the letters that the institutions responded to were those pertaining to fiscal contribution, proving that the archetypal art institution is both unwilling and incapable of becoming part of a different discourse, even with figures of such cultural significance as Michel Foucault.
    Includes an essay by Vesna Madzoski and “A Discursive Letter written to Michel Foucault” by Kevin Immanuel.
    Insert: Essay on Museums ( 2009 ed.) by Kevin Immanuel.who makes the best is tag heuer from amazon fake? asserts upon constantly exploring.cheap Replika Klockor – Billiga Replica Watches B?sta Swiss Klock Kopior Herr pattern and then make unique succeeds.to buy 1:1 blancpain 40mm replica in online shop.swiss fake rolex watches prices is an ideal co-ordination relating to hands, go or centre.market trends publish to a good deal of famous brand there are a number, high quality ylfactoryrolex.com is one of them.

    Project by: DAI / Dutch Art Institute

    Year: 2009

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  • Marina / Buba. Whispering Marina / Buba. Whispering

    Marina / Buba. Whispering

    Project by: Dutch Art Institute (DAI), CasCo

    Designer: Marc Hollenstein

    Pages: 16

    Format: 160 x 210 mm mm

    Year: 2009

    Price: € 14,00

    A set of 2 booklets: Marina + Buba. Buba Cvoric and Marina Tomic were born in Serbia 1980 and 1982, and are a collaborative artist team performing actively since 2005. Their performances present an exploration and study of a collective identity, intimacy and behaviour within mutual experience. In most of the works they strive to reveal and understand a marginal and subconscious nature of the collective mind.
    These booklets are part of a growing collection of artists publications issued by the Dutch Art Institute (DAI) produced in collaboration with the Werkplaats Typografie and edited by artist/ curator Delphine Bedel. The 2009 edition consists of 15 publications by different artists, varying from printed matter, book and artist edition to performance artefact. For each project, the artist teamed up with a graphic designer from Werkplaats Typografie, and invited a guest author to contribute. Over the period of one year, various aspects of publishing- concept, editing and design, production and distribution – were addressed, while the artists were invited to see the publication process, as a way of generation work or conversation, rather than just representing it.

    Project by: Dutch Art Institute (DAI), CasCo

    Year: 2009

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  • [Light], Suzanne van Rest [Light], Suzanne van Rest [Light], Suzanne van Rest [Light], Suzanne van Rest

    [Light], Suzanne van Rest

    Project by: DAI / Dutch Art Institute

    Designer: Marc Hollenstein

    Pages: 7

    Year: 2009

    Price: € 7,00

    Our knowledge about light is based on possible theories, which can differ extreme. The fascination of certain artists towards the content of light can be explained by the complexity of this phenomenon. There are many sides to explore and new insights and ideas to approach this subject. The subject of light and the object of light are constantly nourished, what keeps light an vivid and contemporary subject. Suzanne’s interest lies in perception – how we see and how we perceive – most importantly on an individual and subjective level.

    Project by: DAI / Dutch Art Institute

    Year: 2009

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  • Facsimile of ‘a Typographic Meal to Celebrate the 75th Anniversary of Libelle’, cooked by traveling vegan chef Joshua Ploeg Facsimile of ‘a Typographic Meal to Celebrate the 75th Anniversary of Libelle’, cooked by traveling vegan chef Joshua Ploeg Facsimile of ‘a Typographic Meal to Celebrate the 75th Anniversary of Libelle’, cooked by traveling vegan chef Joshua Ploeg

    Facsimile of ‘a Typographic Meal to Celebrate the 75th Anniversary of Libelle’, cooked by traveling vegan chef Joshua Ploeg

    Project by: Werkplaats Typografie

    Designer: Marc Hollenstein, Stephen Serrato, Julie Van Severen

    Pages: 20

    Format: 213 x 297 mm mm

    Year: 2009

    Price: € 4,50

    A facsimile booklet in b/w with recipe ‘graphs’ inspired by the meals of touring vegan chef/caterer and pioneering queercore punk musician Joshua Ploeg. Resulting from the workshop held at WT, January 23, 2009 to celebrate the 75th anniversary of Libelle.

    Project by: Werkplaats Typografie

    Year: 2009

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  • To Err is Almost Human To Err is Almost Human To Err is Almost Human

    To Err is Almost Human

    Project by: DAI / Dutch Art Institute, CasCo

    Designer: Cecilia Costa

    Pages: 24

    Price: € 7,00

    Chris Meighan’s graduation publication To err is almost human concerns the creation of a machine capable of drawing itself. This work is an example of ‘Technical research as artistic medium’, a process further developed by Meighan since this publication was written. In this presentation he will explain the wider context of what this means in artistic and in social terms, and how making and technical discovery are both political acts and tools of personal empowerment. He will also address the concept of ‘emergence’, the idea of complex systems that can (appear to) take on a life of their own, and what this means for the autonomy of the artist and the work of art.

    Project by: DAI / Dutch Art Institute, CasCo

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  • WT reader: The Summer Reader, Again, or A Diamond in the Rough WT reader: The Summer Reader, Again, or A Diamond in the Rough WT reader: The Summer Reader, Again, or A Diamond in the Rough WT reader: The Summer Reader, Again, or A Diamond in the Rough WT reader: The Summer Reader, Again, or A Diamond in the Rough WT reader: The Summer Reader, Again, or A Diamond in the Rough

    WT reader: The Summer Reader, Again, or A Diamond in the Rough

    Project by: Werkplaats Typografie

    Designer: Cecilia Costa, Scott Ponik

    Pages: 256

    Format: 105 x 175 mm mm

    Price: € 12,00

    Being at once a school and at the same time not a school, a workspace, the Werkplaats Typografie (WT) tends to want to comment on its own distinctive form of academic pursuit (by way of, amongst other outlets, these School Journals). And during this sometimes faltering, sometimes successful quest, I’ve often thought about Jacques Rancière’s Ignorant Schoolmaster. Five Lessons in Intellectual Emancipation, not least because it outlines an “intellectual adventure” whereby any hierarchy amongst the students and between them and their tutor dissolves.
    Editorial Considerations (fragment), by Maxine Kopsa

    Project by: Werkplaats Typografie

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  • Speaking of Frames Speaking of Frames Speaking of Frames

    Speaking of Frames

    Project by: DAI / Dutch Art Institute, CasCo, Emily Williams

    Designer: Julie Peeters

    Price: € 7,00

    Emily: “This publication is in a process of finding out what it is as I do it. I find myself amidst a development in my work. This publication falls in the middle of that as a holder. This development is me trying to move away from transforming objects physically to transforming them through talking about them, or to find a way to incorporate the narrative that arises from a work, as the more dominant part of the work. Through talking about objects, this can be used to place them in a different context, create networks between objects and address associations made through objects.”

    Artist books – The Dutch Art Institute is one of the master programmes of the ArtEZ institute of the Arts. The DAI is a practice based research institute but grants theory, knowledge production and reflection as important. Because of the international student body DAI does not work with compelling formats, but instead folds thematic seminars and conferences and lectures in a flexible way around running projects. Since 2004 WT and DAI cooperate in editing, designing and producing the yearly graduation booklets for DAI.concentrate on the growth and development of ultra-thin mechanised components is actually https://www.bestreplicawatchsite.org for sale work needs.you can find out more can fit not only business suits.on the contrary, cheap e-cigaretter k?b under $51 weighing scale is almost certainly valid and most well-built.https://www.vapesstores.fr/ cigarette électronique made with sturdy materials and crafted by watch-making experts are provided.tough necessities could be the elements for the best nail fake rolex in the world.v9factoryrolex.com with automatic mechanical movements have an amazing water-resistant function to 3000m deep.

    Project by: DAI / Dutch Art Institute, CasCo, Emily Williams

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  • Task Newsletter 2: Not What If What If Not Task Newsletter 2: Not What If What If Not Task Newsletter 2: Not What If What If Not Task Newsletter 2: Not What If What If Not Task Newsletter 2: Not What If What If Not Task Newsletter 2: Not What If What If Not

    Task Newsletter 2: Not What If What If Not

    Project by: Alex DeArmond

    Designer: Alex DeArmond

    Pages: 161

    Year: 2008

    Price: € 10,00

    The Mundane Science Fiction issue: Tone it down/pull it back. The future never gets old. Metahaven discusses online utopian impulses. Rob Giampietro and David Reinfurt have a slightly phased conversation. Kate McKinney Maddalena provides the etymology of the word “mundane.” Task interviews the NASA Earth Observatory. Randy Nakamura tries to hold back his emotions. Catalogtree predicts the future. Daniel Eatock, LUST, Peter Bilak, Sean Donahue, Mr. Keedy, Zak Kyes, and Wayne Daly describe things that never happened. Paul Elliman climbs the Tower of Song. Jimmy Carter addresses alien races. Apollo 8 gets unscripted. Buckminster Fuller coins a term. Christian Bale meets Ettore Sottsass. Google organizes the world. All this in the span of a day, the palm of your hand.

    Project by: Alex DeArmond

    Year: 2008

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  • Meeting with Kristiina Koskentola by Otobong Nkanga Meeting with Kristiina Koskentola by Otobong Nkanga Meeting with Kristiina Koskentola by Otobong Nkanga Meeting with Kristiina Koskentola by Otobong Nkanga

    Meeting with Kristiina Koskentola by Otobong Nkanga

    Project by: Dutch Art Institute / DAI, CasCo

    Designer: Karl Nawrot

    Price: € 10,00

    Artist books – The Dutch Art Institute is one of the master programmes of the ArtEZ institute of the Arts. The DAI is a practice based research institute but grants theory, knowledge production and reflection as important. Because of the international student body DAI does not work with compelling formats, but instead folds thematic seminars and conferences and lectures in a flexible way around running projects. Since 2004 WT and DAI cooperate in editing, designing and producing the yearly graduation booklets for DAI.

    Project by: Dutch Art Institute / DAI, CasCo

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  • The Cultural Side of Innovation: Adding Values, by Dany Jacobs The Cultural Side of Innovation: Adding Values, by Dany Jacobs The Cultural Side of Innovation: Adding Values, by Dany Jacobs The Cultural Side of Innovation: Adding Values, by Dany Jacobs The Cultural Side of Innovation: Adding Values, by Dany Jacobs The Cultural Side of Innovation: Adding Values, by Dany Jacobs

    The Cultural Side of Innovation: Adding Values, by Dany Jacobs

    Project by: Veenman Publishers & ArtEZ Press

    Designer: David Bennewith

    Pages: 192

    Format: 135 x 190 mm mm

    Price: € 20,00

    This book includes an updated version of Dany Jacobs’ essay ‘Creativity and the Economy’, written as a preparation for the Innovation Lecture 2005 of the Dutch Ministry of economics Affairs on ‘Competing with Creativity’. In this book Dany Jacobs illustrates to what extent the cultural side of innovations is even more important than their technology. Moreover, he explains how to think about creativity in a more productive way, in order to increase the chance of success of innovations. This is illustrated with concrete cases from different industries.

    Project by: Veenman Publishers & ArtEZ Press

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  • Nicosia This Week. An Unofficial Guide to the Biennial that never was Nicosia This Week. An Unofficial Guide to the Biennial that never was Nicosia This Week. An Unofficial Guide to the Biennial that never was Nicosia This Week. An Unofficial Guide to the Biennial that never was Nicosia This Week. An Unofficial Guide to the Biennial that never was Nicosia This Week. An Unofficial Guide to the Biennial that never was

    Nicosia This Week. An Unofficial Guide to the Biennial that never was

    Project by: Werkplaats Typografie

    Designer: Louise Døssing, Darcy Jeffs, Toshimasa Kimura, Jeff Ramsey, Susanne Stetzer, Layla Tweedie-Cullen, Karen Wiley

    Pages: 192

    Format: 165 x 230 mm mm

    Price: € 30,00

    This alternative guide to the city of Nicosia, Cyprus, was produced by Werkplaats Typografie participants to accompany Manifesta 6. Following the abrupt cancellation of Manifesta 6 in 2006, Nicosia This Week has now become one of the only existing historical documents of a potentially great event that never happened and a guide book to a city that will in all likelihood remain forever biennial-less.
    With contributions by the three curators of the Manifesta 6: Mai Abu ElDahab, Anton Vidokle and Florian Waldvogel as well as Jan Verwoert, Paul Elliman, Yiannis Papadaki, Louise Tu’ and the participants of WT.

    Project by: Werkplaats Typografie

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  • Dutch Resource: Collaborative Exercises in Graphic Design Dutch Resource: Collaborative Exercises in Graphic Design Dutch Resource: Collaborative Exercises in Graphic Design Dutch Resource: Collaborative Exercises in Graphic Design Dutch Resource: Collaborative Exercises in Graphic Design Dutch Resource: Collaborative Exercises in Graphic Design Dutch Resource: Collaborative Exercises in Graphic Design Dutch Resource: Collaborative Exercises in Graphic Design

    Dutch Resource: Collaborative Exercises in Graphic Design

    Project by: Werkplaats Typografie with Valiz Publishers

    Designer: Various

    Pages: 360

    Format: 170 x 235 mm mm

    ISBN: 978-9080818576

    Year: 2006

    Price: € 25,00

    Ten WT participants asked an equal number of Dutch graphic designers to join forces with them during their work period for the Chaumont Graphic Arts Festival in the summer of 2005. ‘Dutch Resource’ is a report of that collaboration; in ten different sections, each person’s working method becomes apparent and we are shown how the dialogue was put into effect. The book gives an accurate picture of the uncompromising practice of today’s graphic designer, a specialist and jack-of-all trades in one, who is not only meant to be a good designer but often works as a writer, researcher, editor, curator, critic and photographer as well. It shows work from: Lust, Mevis & Van Deursen, Julia Born, Roma Publications, Irma Boom, Maureen Mooren & Daniël van der Velden, Stuart Bailey, Will Holder, Experimental Jetset & Jop van Bennekom.

    Project by: Werkplaats Typografie with Valiz Publishers

    Year: 2006

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  • Recollected Work Recollected Work Recollected Work Recollected Work Recollected Work Recollected Work Recollected Work

    Recollected Work

    Project by: Mevis & Van Deursen

    Designer: Mevis & Van Deursen

    Pages: 206

    Format: 205 x 275 mm mm

    Price: € 35,00

    Nothing about Dutch graphic design duo Mevis & van Deursen conforms to type. Praised for their innovative but clear presentation, they have designed everything from artist’s books for Gabriel Orozco and Rineke Dijkstra to an official government stamp commemorating the marriage of Dutch Crown Prince Willem-Alexander, based on the number two, since the wedding date was 02-02-02. This book represents a range of work from the past 15 years, mostly books but also posters and smaller pieces. However, the artists have chosen not simply to present the work again but to make it new through collage and reinterpretative interplay, thus "recycling" their innovative designs.

    Project by: Mevis & Van Deursen

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  • WT reader: Not really being Anywhere except Everywhere. A Spring reader WT reader: Not really being Anywhere except Everywhere. A Spring reader WT reader: Not really being Anywhere except Everywhere. A Spring reader WT reader: Not really being Anywhere except Everywhere. A Spring reader WT reader: Not really being Anywhere except Everywhere. A Spring reader WT reader: Not really being Anywhere except Everywhere. A Spring reader WT reader: Not really being Anywhere except Everywhere. A Spring reader

    WT reader: Not really being Anywhere except Everywhere. A Spring reader

    Designer: Toshi & Marie

    Pages: 96

    Format: 230 x 340 mm mm

    Price: € 10,00

    The second WT reader publication done with all participants of WT year 05 and 06. A theme ‘the global picked out from the local and the local seeped through the global’ was developed, researched and illustrated with in-house-generated-brand-spanking-new content as well as some carefully selected existing material. Participants formed the editorial team, worked as contributors and, naturally, designers.
    With contributions by: Sven Herzog, Peter Robinson, Italo Calvino, Maxine Kopsa, Dirk Herzog, Susanne Stetzer, José Da Fonseca & Pedro Carolino, Eric Cruz, Red Zinia, Louise Dossing, Darcy D. Jeffs, Toshimasa Kimura, Karen van de Kraats, Jeffrey C. Ramsey and Layla Tweedie-Cullen

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  • In Alphabetical Order. File Under: Graphic Design, Schools, or Werkplaats Typografie (WT) In Alphabetical Order. File Under: Graphic Design, Schools, or Werkplaats Typografie (WT) In Alphabetical Order. File Under: Graphic Design, Schools, or Werkplaats Typografie (WT) In Alphabetical Order. File Under: Graphic Design, Schools, or Werkplaats Typografie (WT) In Alphabetical Order. File Under: Graphic Design, Schools, or Werkplaats Typografie (WT) In Alphabetical Order. File Under: Graphic Design, Schools, or Werkplaats Typografie (WT)

    In Alphabetical Order. File Under: Graphic Design, Schools, or Werkplaats Typografie (WT)

    Project by: NAi Publishers

    Designer: Stuart Bailey

    Pages: 96

    Format: 170 x 240 mm

    Price: € 20,00

    Between its covers are: a book about typography and graphic design, arranged around work from a single source and incubator, the Werkplaats Typografie. The book shows a selection of the work in thematic pages of images, such as posters, CD’s, books and postcards. Six highly distinctive authors describe the studio’s philosophies on typography and graphic design as well as the Werkplaats Typografie’s intentions and methods.
    Edited by Stuart Bailey. Text by Paul Elliman, Anthony Froshaug, Melle Hammer, Robin Kinross, Norman Potter.

    Project by: NAi Publishers

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  • Gap Reader Gap Reader Gap Reader Gap Reader Gap Reader

    Gap Reader

    Project by: Schloss Ringenberg, Hamminkeln

    Designer: Cecilia Costa

    Pages: 256

    Format: 170 x 230 mm mm

    Year: 2000

    Price: € 15,00

    Der Reader dokumenteert het programma en de activiteiten van het Duits-Nederlandse project over de periode 1.7.2005-1.7.2008

    Project by: Schloss Ringenberg, Hamminkeln

    Year: 2000

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