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  • CHAPTER 3 (pp. 49–80): 3AM ETERNAL (THE POSITIVE VOID DECKS) CHAPTER 3 (pp. 49–80): 3AM ETERNAL (THE POSITIVE VOID DECKS)

    CHAPTER 3 (pp. 49–80): 3AM ETERNAL (THE POSITIVE VOID DECKS)

    Project by: Self-initiated

    Designer: Robert Milne

    Pages: 32

    Format: 160 × 210 mm mm

    Price: € 8,00

    Online contact has been re-established with a disappeared location scout who mysteriously vanished in late 2001 during an eight-day film location visit to an abandoned site in the Hoge Veluwe—an isolated woodland area in the province of Gelderland, The Netherlands. Using fragments of archived interviews an amateur music journalist reconstructs the specific events that took place that fateful day.

    Project by: Self-initiated

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  • CHAPTER 2 (pp. 17–48): A SOFT DEPARTURE / ULTRAVIOLET MORALE V.2 CHAPTER 2 (pp. 17–48): A SOFT DEPARTURE / ULTRAVIOLET MORALE V.2

    CHAPTER 2 (pp. 17–48): A SOFT DEPARTURE / ULTRAVIOLET MORALE V.2

    Project by: Self-initiated

    Designer: Robert Milne

    Pages: 32

    Format: 160 × 210 mm mm

    Price: € 8,00

    Mass employment inside personal identity encryption, computer face recognition and demographic marketing industries has given rise to a society of individuals frozen in emotional responses. Trapped inside a population riddled with autistic spectrum and dementia-like symptoms this dark tale tracks an unusual encounter between a man and woman trying to preserve the final strands of their own emotional interiors and hoping to trigger human empathetic responses needed for human survival inside a robotic vacuum of state surveillance and personal identity destruction.

    Project by: Self-initiated

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  • Discipline No.4 Discipline No.4 Discipline No.4 Discipline No.4

    Discipline No.4

    Project by: Helen Hughes

    Designer: Robert Milne

    Pages: 192

    Format: 230 x 300 mm mm

    Price: € 25,00

    Discipline is a publisher and contemporary art journal edited by Nicholas Croggon, David Homewood, and Helen Hughes. Alongside artist pages and interviews, it publishes research essays about contemporary Australian art, and histories and theories of contemporary art as a global industry or phenomenon. For each issue a guest editor, from somewhere else in the world, is invited to contribute a guest edited section. Guest editors since 2011 are: Vivian Ziherl, Maria Fusco, Raimundas Malašauskas, and Ferdiansyah Thajib, KUNCI Cultural Studies Center.

    Project by: Helen Hughes

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  • CHAPTER 1 (pp. 1–16): ANCIENT SEEDS OF FORTUNE (or A LATE NIGHT WITH EL PULPO)

    CHAPTER 1 (pp. 1–16): ANCIENT SEEDS OF FORTUNE (or A LATE NIGHT WITH EL PULPO)

    Project by: Self-initiated

    Designer: Robert Milne

    Pages: 16

    Format: 160 × 210 mm mm

    Price: € 5,00

    International Trade Lawyer Solomon Digby Ryan is suffering from initial symptoms of corporate burnout i.e. erratic nocturnal habits and seborrheic skin conditions. Late one night in the Giblin Eunsen Library (while conducting routine trade investigation) SDR stumbles upon the unfortunate death reports of a Japanese Bacterial Plant Pathologist who helped influence the import / export practices of the global apple trade. Disturbed by the horrifying accounts he begins to question the impact of his own personal actions on a larger bureaucratic system before uncovering an abandoned model of the Keynesian System. In the next 24 hours he quickly learns how individual actions have a virulent and lasting power. 

    Project by: Self-initiated

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  • Karbon Arnhem File #1

    Karbon Arnhem File #1

    Project by: Stichting Sonsbeek Internationaal

    Designer: Sarah Käsmayer, Robert Milne

    Format: 350 x 250 mm

    Price: € 3,00

    From colonial history to ecology, and from public space to colouring outside the lines: each Karbon Arnhem File publication highlights a particular issue. In the process, artists, writers, researchers, activists, collectives, designers, and many others work closely with the Editorial team. This results in a cacophony of voices asking critical questions about our daily reality. Karbon Arnhem Files is inspired by ruangrupa’s own Karbon magazine, and brings together experimental art and design practices. The whole series consists of six publications and is also available in our shop.
    Language: Dutch

    Project by: Stichting Sonsbeek Internationaal

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  • Karbon Arnhem File #5 Karbon Arnhem File #5

    Karbon Arnhem File #5

    Project by: Stichting Sonsbeek Internationaal

    Designer: Robert Milne

    Pages: 16

    Format: 248 x 194 mm

    Price: € 3,00

    From colonial history to ecology, and from public space to colouring outside the lines: each Karbon Arnhem File publication highlights a particular issue. In the process, artists, writers, researchers, activists, collectives, designers, and many others work closely with the Editorial team. This results in a cacophony of voices asking critical questions about our daily reality. Karbon Arnhem Files is inspired by ruangrupa’s own Karbon magazine, and brings together experimental art and design practices. The whole series consists of six publications and is also available in our shop.
    Language: Dutch

    Project by: Stichting Sonsbeek Internationaal

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  • WT reader: Reader, aantekeningen exemplaar WT reader: Reader, aantekeningen exemplaar WT reader: Reader, aantekeningen exemplaar

    WT reader: Reader, aantekeningen exemplaar

    Project by: Werkplaats Typografie

    Designer: Ronja Andersen, Nerijus Rimkus

    Pages: 322

    Format: 118 x 190 mm mm

    Price: € 15,00

    As part of Speelplaats, a parallel program of Werkplaats Typografie, participants challenged what was being offered in the school’s curriculum by introducing improvements or suggesting alternatives. Reader, aantekeningen exemplaar brings together these contributions made to the Speelplaats program alongside other like-minded initiatives by participants, guests and tutors in the shape of examples as well as reference texts and other materials. The reader borrows its title from an annotated copy of the catalogue Ruimtelijk Werk (1983), found in the library of Werkplaats Typografie, in which Wigger Bierma had penciled down what could have been done more consistently or what was lacking in his original design.

    Project by: Werkplaats Typografie

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  • Not Far From Where We Began Not Far From Where We Began Not Far From Where We Began

    Not Far From Where We Began

    Project by: Sandberg Instituut

    Designer: Robert Milne

    Pages: 94

    Format: 210 x 297 mm mm

    Price: € 10,00

    This publication is the result from a workshop with Tom Clark at the Critical Studies department of the Sandberg Instituut. The bound texts were written beforehand, responding to a prompt on the theme of “proximity”. The loose-leaf text, an “editorial”, was written and edited during the workshop and reflects on the process over those three days.

    Project by: Sandberg Instituut

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