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  • FIFTEEN magazine #14 FIFTEEN magazine #14 FIFTEEN magazine #14 FIFTEEN magazine #14 FIFTEEN magazine #14

    FIFTEEN magazine #14

    Designer: Virginie Gauthier

    Format: 210 x 291 mm mm

    Price: € 30,00

    WT magazine is an in-house publication initiated by David Bennewith. WT participants are invited to contribute to each magazine by responding to a specific topic/theme/set of rules. The name of the magazine follows the amount of contributions. For FIFTEEN issue #14 the participants had to respond to an image, instead of a word. X variations, X appropriations of the same picture.
    A collection of posters with contributions by: Fred Cave, Olya Domoradova, Liesbeth Doornbosch, Constant Dullaart, Paul Elliman, Yana Foqué, Meghan Forsyth, Daniel Frota de Abreu, Sara Käsmayr, Fay Kolokytha, Jungmyung Lee, Josse Pyl, María Jimena Sánchez Zambrano, Maud Vervenne, Caroline Wolewinski. Edited by Virginie Gauthier.

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  • Songs for a Deaf Ox Songs for a Deaf Ox

    Songs for a Deaf Ox

    Project by: Dutch Art Institute

    Designer: Olya Domoradova

    Pages: 98

    Format: 110 x 170 mm

    Price: € 9,00

    This publication is an archive for collecting, processing and transmitting thoughts on Songs for a Deaf Ox, an exhibition denoting the end of a collective research on the non-transmittability of form.

    Project by: Dutch Art Institute

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  • WT reader: Reader, aantekeningen exemplaar WT reader: Reader, aantekeningen exemplaar WT reader: Reader, aantekeningen exemplaar

    WT reader: Reader, aantekeningen exemplaar

    Project by: Werkplaats Typografie

    Designer: Ronja Andersen, Nerijus Rimkus

    Pages: 322

    Format: 118 x 190 mm mm

    Price: € 15,00

    As part of Speelplaats, a parallel program of Werkplaats Typografie, participants challenged what was being offered in the school’s curriculum by introducing improvements or suggesting alternatives. Reader, aantekeningen exemplaar brings together these contributions made to the Speelplaats program alongside other like-minded initiatives by participants, guests and tutors in the shape of examples as well as reference texts and other materials. The reader borrows its title from an annotated copy of the catalogue Ruimtelijk Werk (1983), found in the library of Werkplaats Typografie, in which Wigger Bierma had penciled down what could have been done more consistently or what was lacking in his original design.

    Project by: Werkplaats Typografie

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