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  • WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots WT reader: Octopus of Offshoots

    WT reader: Octopus of Offshoots

    Project by: Werkplaats Typografie

    Designer: Adriaan van Leuven, Oliver Boulton

    Pages: 237

    Format: 135 x 210 mm mm

    Price: € 17,00

    This reader culminates a year of activity under the umbrella of WT Speelplaats.

    As the custodians of year 19, — Adriaan Van Leuven and Oliver Boulton — proposed a way of working through imitation. Be it a method, model or base; by adopting the action(s) of someone or something. Imitation, not so much in the aspect of ‘copying’, but in the idea of chewing, digesting and regurgitating an existing thing. Imitation, as something we do naturally, as a pedagogy; a process of learning. Imitation, as a coming inhale, exhale. Imitation as a means to reflect, detangle and recognise our surroundings, times, contemporaries, idols. Imitation as a way to embrace or confront one’s swamped reference pool. Imitation, as an open question, put to ourselves and our colleagues: how do you find your voice? At which point Kathy Acker yelled back at us: “Why [do] I have to find my own voice and where [is] it?”

    Project by: Werkplaats Typografie

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  • EIGENGRAU, Jonito Aerts Arguelles EIGENGRAU, Jonito Aerts Arguelles EIGENGRAU, Jonito Aerts Arguelles

    EIGENGRAU, Jonito Aerts Arguelles

    Designer: Oliver Boulton

    Pages: 273

    Format: 140 x 235 mm mm

    Price: € 30,00

    Eigengrau  2015 – 2017, an ongoing study of the positive afterimage and its effects.
    The phenomenon of the positive afterimage is created when a person, standing in dark room, experiences a sudden and short flash of light. This results in a ‘positive’ afterimage of whatever the person was looking at at the time the flash went off. This image is ephemeral in the sense that it dissipates within seconds of being created but at the same it creates a memory, we can relive that image only in our minds. Every afterimage is unique and can’t be captured by any form or technique we have available at the time. Studying this afterimage therefore becomes an exercise in studying its effects, its lingering traces on the people that experienced them.

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