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FIFTEEN magazine #14
Designer: Virginie Gauthier
Format: 210 x 291 mm mm
Price: € 30,00
WT magazine is an in-house publication initiated by David Bennewith. WT participants are invited to contribute to each magazine by responding to a specific topic/theme/set of rules. The name of the magazine follows the amount of contributions. For FIFTEEN issue #14 the participants had to respond to an image, instead of a word. X variations, X appropriations of the same picture.
A collection of posters with contributions by: Fred Cave, Olya Domoradova, Liesbeth Doornbosch, Constant Dullaart, Paul Elliman, Yana Foqué, Meghan Forsyth, Daniel Frota de Abreu, Sara Käsmayr, Fay Kolokytha, Jungmyung Lee, Josse Pyl, María Jimena Sánchez Zambrano, Maud Vervenne, Caroline Wolewinski. Edited by Virginie Gauthier. -
Rock Newspaper
Project by: Werkplaats Typografie
Designer: Maud Vervenne
Format: 385 x 285 mm
Price: € 9,00
Rock Newspaper is 1/1 scale replica of the petroglyphs that are carved in Newspaper Rock. The sandstone boulder measures 19 m2 and contains rock carvings from cultures dating from 1500 years ago to therapy twentieth century. “Petroglyphs: rock art or rock writing?’ focuses on how Native American rock carvings can be read. Rock Newspaper is 1/1 scale
Project by: Werkplaats Typografie
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Natural Technology or Technological Nature?
Project by: self initiated
Designer: Maud Vervenne
Price: € 10,00
This is a graphic translation of INLAND case study. It contains a written essay and an image essay (A1 poster). Natural Technology or Technological Nature investigates how a shift occurred from exposing technology in the landscape to more recent, hiding it by camouflaging all traces of the technological world we are living in.
Project by: self initiated
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WT reader: Reader, aantekeningen exemplaar
Project by: Werkplaats Typografie
Designer: Ronja Andersen, Nerijus Rimkus
Pages: 322
Format: 118 x 190 mm mm
Price: € 15,00
As part of Speelplaats, a parallel program of Werkplaats Typografie, participants challenged what was being offered in the school’s curriculum by introducing improvements or suggesting alternatives. Reader, aantekeningen exemplaar brings together these contributions made to the Speelplaats program alongside other like-minded initiatives by participants, guests and tutors in the shape of examples as well as reference texts and other materials. The reader borrows its title from an annotated copy of the catalogue Ruimtelijk Werk (1983), found in the library of Werkplaats Typografie, in which Wigger Bierma had penciled down what could have been done more consistently or what was lacking in his original design.
Project by: Werkplaats Typografie
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