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Affine Transformations by Dries Wiewauters
Project by: WT
Designer: Dries Wiewauters
Pages: 20
Format: 105 x 300 mm mm
Price: € 8,00
Thesis project of Dries Wiewauters and part of collected works (supervised by Paul Elliman). Affine Transformations is an attempt to consolidate his views about a frequently overlooked step in the history of typography: the Pantograph. A Pantograph is an instrument that can duplicate plans and drawings to an adjustable scale. For the history of type design this meant that a design no longer had to be manually cut and interpreted by a punchcutter, but could easily be copied to an adjustable scale. The design of this thesis is a play with the standardized academic essay. These cheaply bound, A4 publications are normally typeset in the system-font chosen by the university. This publication is typeset in Timeless, an iteration of the ubiquitous Times. The text is printed on a paper-stock reminiscent of standard copy paper, whilst the images are printed on silk paper. With a pantograph and a red marker the skeleton of the Pantograph was transferred to each individual cover. All the sheets were then shuffled, folded vertically and stapled.
Project by: WT
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WT Best Books 2009: Mapping the library
Project by: Werkplaats Typografie
Designer: various
Pages: 64
Format: 298 x 420 mm mm
Price: € 10,00
Concept and supervision: Experimental Jetset. With contributions by: Simone Koller, Lidia Wilkosz, Ines Cox, Astrid Seme, Gregory Dapra, Hyo Kwon, Lu Liang, Stephen Serrato, Anna Haas, Marc Hollenstein, Julie van Severen, Joris van Aken, Boris van den Eynden, Dries Wiewauters, Isabelle Vaverka, Annett Höland, Goda Budvytyte
MAPPING THE LIBRARY is the outcome of a workshop conducted by Experimental Jetset at Werkplaats Typografie, May – June 2010, part of the annual Best Books project at WT. Participants were asked to turn their favourite books 2009 into maps; consequently, formal connections among the selected books were made that in turn resulted in a giant 16-piece collective map. Working with the format of the newspaper, every student was given one sheet. The inside spread was used for the individual maps, the cover for the part of the collective map showing the chosen book. The back gave information about the book and allowed students to explain their interpretation.
Project by: Werkplaats Typografie
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Stratagem
Project by: DAI, Yota Ioannidou
Designer: Dries Wiewauters
Pages: 68
Format: 160 x 240 mm mm
Price: € 9,00
This publication constitutes a stage in an ongoing research-based project initiated by the Greek contemporary artist: Yota Ioannidou. Published in 2009, Stratagem became the first moment where she made her exploration about economic relocation public. A collection of texts, interviews and imagery gives the reader an understanding about the process that moves the production of goods to Eastern Europe and Asia.
The Publications Project is a collection of artist books issued by the Dutch Art Institute and designed in collaboration with the Werkplaats Typografie. DAI and WT are both master programmes of ArtEZ. Gabrielle Schleijpen, course director of the DAI, founded the Publications Project in 2003. It started as an experimental and innovative research and publishing platform aiming to address the specific process of artist books production, from concept and design to distribution, and is now an acclaimed editorial project. Artists and designers are invited to team up in couples to produce an artwork in the form of printed matter, in close collaboration with one or more guest authors (historians, novelists, sociologists, artists, philosophers, etc. ).
Project by: DAI, Yota Ioannidou
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De Zolder van Duitsland by Seth de Rooij
Project by: Ko Jacobs
Designer: Dries Wiewauters
Pages: 146
Format: 240 x 170 mm mm
Price: € 21,00
Initiatief ‘De Zolder van Duitsland’ maakt deel uit van een reeks van publicaties op initiatief van ArtEZ Academie van Bouwkunst, Arnhem. Dit boek is gebaseerd op het afstudeerproject van Seth de Rooij aan ArtEZ Academie van Bouwkunst. Mentoren: Ralph Brodrück, Wim Korvinus, Ady Steketee en Lada Hrsak. Met dit project won Seht de Rooij in 2006 de Archiprix.
De zolder is de plek van de verdringing, maar ook van de herinnering. Dat wat wordt verdrongen is niet voorgoed weg en kan in principe worden hervonden. Dresden is het symbool van het Duitse collectieve geheugenverlies geworden. Vandaar dat Seth de Rooij in zijn ontwerp de Erlwein-Speicher heeft omgedoopt tot de ‘Zolder van Duitsland’. Deze zolder moet in zijn visie dat wat verdrongen was terugbrengen in het geheugen. Als ‘Zolder van Duitsland’, een depot of pakhuis van hedendaagse kunst, krijgt de Erlwein-Speicher weer een eigentijdse plek in de recente geschiedenis en in de skyline van Dresden.
Language: Dutch
Project by: Ko Jacobs
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